1934 | B/N | 77:00 In a nineteenth-century monastery, two monks get into a fight. When called into confession, they each tell a different version of the same story, and the only overlapping element is Ana: the woman with whom both had fallen in love. Country: México Direction: Bustillo Oro; Juan Script: Cordero; José Manuel, Bustillo Oro; Juan Production: San Vicente; José San Vicente, San Vicente; Manuel Photography: Jiménez; Agustín Sound: Kroger; B. J. Music: Lavista; Raúl, M. Ponce; Manuel, Urban; Max Cast:Urruchúa; Víctor, Haller; Magda, Beltrán de Heder; M., Miquel; Alberto, Bernaldez; Manuel, Cortéx; José, Taboada; Hugo, Villatoro; Carlos, Roldán; Emma, Gentil Arcos; Conchita, Noriega; Manuel, Haller; Sofía Art direction: Toussaint; Carlos, Rodríguez Granada; Mariano Participation year at FICM: 2015
1934 | B/N | 77:00 In a nineteenth-century monastery, two monks get into a fight. When called into confession, they each tell a different version of the same story, and the only overlapping element is Ana: the woman with whom both had fallen in love. Country: México Direction: Bustillo Oro; Juan Script: Cordero; José Manuel, Bustillo Oro; Juan Production: San Vicente; José San Vicente, San Vicente; Manuel Photography: Jiménez; Agustín Sound: Kroger; B. J. Music: Lavista; Raúl, M. Ponce; Manuel, Urban; Max Cast:Urruchúa; Víctor, Haller; Magda, Beltrán de Heder; M., Miquel; Alberto, Bernaldez; Manuel, Cortéx; José, Taboada; Hugo, Villatoro; Carlos, Roldán; Emma, Gentil Arcos; Conchita, Noriega; Manuel, Haller; Sofía Art direction: Toussaint; Carlos, Rodríguez Granada; Mariano Participation year at FICM: 2015
Padre contra hijo Juan de Dios, a law student, is the son of Eloísa, a single mother who works hard as a seamstress to support her son. Through a classmate, Juan de Dios learns that he is the bastard son of Cecilio, a village cacique. He decides to go meet him, passing himself off as a bachelor and going to work at his father’s house, where he endures humiliation. Little by little, the affection between him and his cousin Lucía grows stronger. See More
La mujer ajena This is the story of a gambler whose lover is a renowned philanthropist’s wife. At the same time, the gambler is cheating on her with another woman. The secret love triangle is gradually exposed by the jealousy, ambitions, and weaknesses of its participants, including the guilt felt by all three lovers. See More
El misterio del rostro pálido Dr. Forti, obsessed with finding the cure for a mysterious disease, experiments on his patients, who die one by one as a result of his medical failures. Desperate, he embarks on an expedition to distant lands to study local medicine with his son Pablo, who then leaves his girlfriend Angélica. Eight years later, the doctor returns from his trip without his son, but with a strange companion who wears a pale mask. See More
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25 “The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25 Activities for Impulso Morelia 11 Begin at the 23th FICM 10 · 13 · 25 64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25
“The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25
64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
