2001 | Color | 84 min Uganda, March 2000. At the request of the UN's International Fund for Agricultural Development, Abbas Kiarostami and Seifollah Samadian arrive in Kampala. For 10 days, their DV cameras capture the faces of thousands of children, all orphans whose parents have died of AIDS. They record tears and laughter, music and silence, life and death. The documentary attests to Africa's sunny resilience in the face of so much suffering and disease. Country: Irán Direction: Samadian; Seifollah, Kiarostami; Abbas Production: Karmitz; Marin, Kiarostami; Abbas Photography: Samadian; Seifollah Sound: Reza Delpak; Mohammad Cast:Samadian; Seifollah, Kiarostami; Abbas Participation year at FICM: 2012
2001 | Color | 84 min Uganda, March 2000. At the request of the UN's International Fund for Agricultural Development, Abbas Kiarostami and Seifollah Samadian arrive in Kampala. For 10 days, their DV cameras capture the faces of thousands of children, all orphans whose parents have died of AIDS. They record tears and laughter, music and silence, life and death. The documentary attests to Africa's sunny resilience in the face of so much suffering and disease. Country: Irán Direction: Samadian; Seifollah, Kiarostami; Abbas Production: Karmitz; Marin, Kiarostami; Abbas Photography: Samadian; Seifollah Sound: Reza Delpak; Mohammad Cast:Samadian; Seifollah, Kiarostami; Abbas Participation year at FICM: 2012
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
Yolanda Montes “Tongolele”, diosa de la danza 02 · 18 · 25 PEPE EL TORO appears in Cahiers 02 · 13 · 25 David Lynch (1946-2025), Mexico and a Lynchian Anecdote 01 · 23 · 25 MÉXICO, MÉXICO, RA, RA, RA, RA after half a century 01 · 16 · 25
