2022 | Color | 30:15 Elena, a Tsotsil woman from San Andrés Larraínzar, Chiapas, is challenged by the uses and customs of her people when an almost entirely male community assembly appoints her as a municipal trustee. As an authority, she introduces us to the complexity of the system of sociopolitical organization in San Andrés. During her term of office, the traditional practice of masculinity begins to be questioned. Country: México Direction: Gómez Sántiz; Florencia Script: Gómez Sántiz; Florencia Production: Contreras; Daniela, Défossé; Nicolás Photography: Domínguez González; Juan Carlos, López Gómez; Ángel, Sero; Xun Sound: Martínez Ruiz; Bryan Jaredt, Kak; Saul, Pérez; Juan Javier, De Torcy; Martin Participation year at FICM: 2022
2022 | Color | 30:15 Elena, a Tsotsil woman from San Andrés Larraínzar, Chiapas, is challenged by the uses and customs of her people when an almost entirely male community assembly appoints her as a municipal trustee. As an authority, she introduces us to the complexity of the system of sociopolitical organization in San Andrés. During her term of office, the traditional practice of masculinity begins to be questioned. Country: México Direction: Gómez Sántiz; Florencia Script: Gómez Sántiz; Florencia Production: Contreras; Daniela, Défossé; Nicolás Photography: Domínguez González; Juan Carlos, López Gómez; Ángel, Sero; Xun Sound: Martínez Ruiz; Bryan Jaredt, Kak; Saul, Pérez; Juan Javier, De Torcy; Martin Participation year at FICM: 2022
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
Arturo Castelán y el Festival MIX 08 · 15 · 24 Glorias olímpicas y cine nacional 08 · 08 · 24 Claire Denis and WHITE MATERIAL: Morelia 2022 08 · 01 · 24 THE MAGNIFICENT SEVEN and other Series B westerns filmed in Morelos 07 · 25 · 24
