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Roberto Hernández

Hernández; Roberto

Dirección, Edición, Guión, Producción

Estudió la licenciatura en Derecho en el Instituto Tecnológico Autónomo de México (ITAM) y una maestría en Derecho Comparado en la Universidad McGill, Montreal, Canadá. Es candidato a Doctor en Políticas Públicas por parte de la Universidad de California, Berkeley. Participó en el 7° Festival Internacional de Cine de Morelia (FICM) con su primer largometraje documental, en co-dirección con Geoffrey Smith, Presunto culpable (2009), donde obtuvo el premio a Mejor Largometraje Documental. Esta obra recorrió numerosos festivales alrededor del mundo y obtuvo más de diez premios nacionales e internacionales, entre ellos, el Premio del Público en el 16° Festival de Cine de los Ángeles (LA Film Fest); el premio Emmy a Mejor Investigación Periodística en el 32° News & Documentary Emmy Awards, Nueva York; Mejor Película en la 8ª entrega de los Premios Canacine, México; y Mejor Documental en el 25° Festival Internacional de Cine en Guadalajara (FICG).

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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