Image Moreno Garza; Diego Amando Dirección, Edición, Fotografía, Guión Estudió la licenciatura en Lenguajes Audiovisuales en la Universidad Autónoma de Nuevo León (UANL) y cursa, actualmente, un doctorado en Artes y Humanidades en el Centro de Investigaciones en Ciencia, Artes y Humanidades de Monterrey (CICAHM), México. Es miembro de la casa productora asentada en San Cristóbal de las Casas, Chiapas, Jex Productions. Pertenece, además, al grupo Sierra Madre Oriental, fundado en Monterrey, Nuevo León. Participó en el 7° Festival Internacional de Cine de Morelia (FICM) con su cortometraje de ficción Las campanas deben sonar por siempre (2008). Ha participado con su obra en diversos festivales alrededor del mundo, como el 22° Croatian One Minute Film Festival con su cortometraje La duda (2013) y el 5° Caribbean Film Corner, Londres, con El enigmático continente negro (2013). Además, formó parte de la Selección Oficial del 5° Festival Internacional de Cine Distrital: Cine y Otros Mundos con su ópera prima Nosotros, Lucifer (2013). Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Moreno Garza; Diego Amando Dirección, Edición, Fotografía, Guión Estudió la licenciatura en Lenguajes Audiovisuales en la Universidad Autónoma de Nuevo León (UANL) y cursa, actualmente, un doctorado en Artes y Humanidades en el Centro de Investigaciones en Ciencia, Artes y Humanidades de Monterrey (CICAHM), México. Es miembro de la casa productora asentada en San Cristóbal de las Casas, Chiapas, Jex Productions. Pertenece, además, al grupo Sierra Madre Oriental, fundado en Monterrey, Nuevo León. Participó en el 7° Festival Internacional de Cine de Morelia (FICM) con su cortometraje de ficción Las campanas deben sonar por siempre (2008). Ha participado con su obra en diversos festivales alrededor del mundo, como el 22° Croatian One Minute Film Festival con su cortometraje La duda (2013) y el 5° Caribbean Film Corner, Londres, con El enigmático continente negro (2013). Además, formó parte de la Selección Oficial del 5° Festival Internacional de Cine Distrital: Cine y Otros Mundos con su ópera prima Nosotros, Lucifer (2013).
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
