Image Dirdamal; Tin Dirección, Edición, Fotografía, Guión, Producción Ha participado en dos ediciones del Festival Internacional de Cine de Morelia (FICM). En el 3er FICM compitió con su primer largometraje documental, De nadie (2005), ganador del Premio del Público en el 22° Festival de Cine de Sundance y del premio Ariel a Mejor Largometraje Documental en la 48ª entrega de los premios Ariel, México. Participó en el 9° FICM con su segundo largometraje documental, Ríos de hombres (2011), para cuya producción obtuvo las becas del Instituto Sundance, en 2008, y el Rockefeller Media Arts Fellowship, en 2009. Su tercer largometraje documental, Muerte en Arizona (2014), ha participado, entre otros festivales, en el Festival Internacional de Cine de Nyon, Visions du Réel, Suiza; en el 9° Ambulante Gira de Documentales, México; en el 3er Riviera Maya Film Festival (RMFF), Quintana Roo, México; y forma parte, actualmente, de la Selección Oficial del 12° FICM. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News 12th FICM Photogallery: October 23 10 · 23 · 14 Encuentro con realizadores de cortometraje y documental 10 · 19 · 14 Mexican Cinema (and politics) stand out in Toulouse 03 · 12 · 13 Tin Dirdamal recomienda Los viejos, de Martín Boulocq 06 · 15 · 11 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Dirdamal; Tin Dirección, Edición, Fotografía, Guión, Producción Ha participado en dos ediciones del Festival Internacional de Cine de Morelia (FICM). En el 3er FICM compitió con su primer largometraje documental, De nadie (2005), ganador del Premio del Público en el 22° Festival de Cine de Sundance y del premio Ariel a Mejor Largometraje Documental en la 48ª entrega de los premios Ariel, México. Participó en el 9° FICM con su segundo largometraje documental, Ríos de hombres (2011), para cuya producción obtuvo las becas del Instituto Sundance, en 2008, y el Rockefeller Media Arts Fellowship, en 2009. Su tercer largometraje documental, Muerte en Arizona (2014), ha participado, entre otros festivales, en el Festival Internacional de Cine de Nyon, Visions du Réel, Suiza; en el 9° Ambulante Gira de Documentales, México; en el 3er Riviera Maya Film Festival (RMFF), Quintana Roo, México; y forma parte, actualmente, de la Selección Oficial del 12° FICM.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
12th FICM Photogallery: October 23 10 · 23 · 14 Encuentro con realizadores de cortometraje y documental 10 · 19 · 14 Mexican Cinema (and politics) stand out in Toulouse 03 · 12 · 13 Tin Dirdamal recomienda Los viejos, de Martín Boulocq 06 · 15 · 11
