Image de la Rosa; Fernando Dirección, Edición, Fotografía, Guión, Producción Estudió la licenciatura en Ciencias de la Comunicación en la Universidad Autónoma de Baja California (UABC). Con su cortometraje Takei Kna: La última fiesta de un Kumiai (2010) obtuvo el premio a Mejor Película en el 1er Festival Internacional de Cine y Video Indígena (FICVI), Puebla; el Tercer Lugar en el Festival de Cine y Video Indígena (FECVI), Morelia; y Mejor Documental Bajacaliforniano en el 2° Festival Internacional de Cine UABC, México. Obtuvo la Beca del Programa Estatal de Estímulos a la Creación y al Desarrollo Artístico (PECDA) del Instituto Cultural de Baja California (ICBC) en el periodo 2011-2012, en la categoría de Cine y Video por su largometraje Jalmá (2012), que participó, entre otros festivales, en el 10° Festival Internacional de Cine de Morelia (FICM). Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image de la Rosa; Fernando Dirección, Edición, Fotografía, Guión, Producción Estudió la licenciatura en Ciencias de la Comunicación en la Universidad Autónoma de Baja California (UABC). Con su cortometraje Takei Kna: La última fiesta de un Kumiai (2010) obtuvo el premio a Mejor Película en el 1er Festival Internacional de Cine y Video Indígena (FICVI), Puebla; el Tercer Lugar en el Festival de Cine y Video Indígena (FECVI), Morelia; y Mejor Documental Bajacaliforniano en el 2° Festival Internacional de Cine UABC, México. Obtuvo la Beca del Programa Estatal de Estímulos a la Creación y al Desarrollo Artístico (PECDA) del Instituto Cultural de Baja California (ICBC) en el periodo 2011-2012, en la categoría de Cine y Video por su largometraje Jalmá (2012), que participó, entre otros festivales, en el 10° Festival Internacional de Cine de Morelia (FICM).
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
