Pasar al contenido principal
Image
logo FICM

Pérez Aguilera, Héctor Daniel

He studied communication and journalism at the Instituto de Estudios Superiores de la Comunicación (IESCAC), Morelia. He collaborated with the Workshop on Electronic Interfaces at the Multimedia Center of the National Center of the Arts (CENART), Mexico City, in 2004. He was a jury member and tutor for artistic projects of the Young Creators program of the National Fund for Culture and the Arts (FONCA), Mexico, in the multimedia area, during the periods 2007-2008 and 2008-2009. He currently has a grant from the Municipal and Community Cultures Support Program (PACMyC, in Spanish) for the production of his short film Mometzcopinqui (2014). He was selected at the Multimedia Center of CENART screening 2004 and at the 8th Crystal Screen Festival, Mexico, for his experimental short film 2004 (2004). He participated in the 2nd Morelia International Film Festival (FICM) with his short experimental film Gris (2004). He worked as an assistant in the short fiction film Víctimas (2005) by José Ademar Flores, which participated in the 3rd FICM, and as editor of the short fiction film Bárbara (2009) by Ignacio Martínez Casares, selected for the 7th FICM. He participated with his short fiction film Lesbos (2011) in the 6thMontevideo Fantastic Film Festival, Uruguay, and in the 10th Morelia Independent Film and Video Festival, among others. He participated in 2012 in the International Video-Art Festival in Valladolid, Spain, with a performance by Sandra Rágnel, Memoria insuficiente (2005), where he worked in sound design with his experimental video Jaula (2005) and his video-installation, YouAreAnExperiment (2012).

Otras Películas

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

Una mirada frenética recorre la convulsa Ciudad de México, metrópolis colosal sostenida por el mito del mestizaje y otras violencias coloniales. Pasado y presente tejen una ráfaga de imágenes; memorias fragmentadas de este territorio. Deidades antiguas que se encarnan, sueños que se desdoblan entre la intimidad, la complicidad y el tumulto. Una película errática que nos invita a reimaginar la compleja relación que sostenemos con la “mexicanidad”.

Ver Más

Noticias Relacionadas

Sujo
SUJO, de Fernanda Valadez y Astrid Rondero, presenta su tráiler oficial
Ariel 67
La AMACC abre su convocatoria para los Premio Ariel 2025
Robert redford
Robert Redford: Morelia 2019
Las puertas del presidio (1949), de Emilio Gómez Muriel
LAS PUERTAS DEL PRESIDIO, a 75 años
test 2 de noticias

Otros Realizadores Mexicanos

Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo.