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Suárez, Maribel

She studied Industrial Design at the National Autonomous University of Mexico (UNAM) and a masters degree at the Royal College of Art, in London. Since 1985 she is a children’s book illustrator for publishing houses in Mexico, Korea, the United States, Spain, Ecuador and Great Britain. From 1995 to 2000 she was in charge of programing and concert production at the UNAM’s Sala Nezahualcóyotl concert hall. From 2002 to 2003 she was the editor of the children’s line at Mondadori. In 2012 her short animated film Mi casa, winner of the Canal 22 contest for the support of independent producers, was selected in diverse festivals including the GREEN VISION – International Environmental Film Festival, in Saint Petersburg, Russia: the DIVERCINE Children and Youth International Film Festival, in Montevideo, Uruguay; and the International Film Festival for Children and Youth (Zlin Film Festival), in the Czech Republic. Her latest work, the animated short film El agujero (2016), was part of the Official Selection of the 14th Morelia International Film Festival (FICM).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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