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Rueda Reyes, Joselo

He studied communication and took a course on film appreciation at the Iberoamerican University (UIA), in Mexico City. In 2005, he formed part of the Screenwriters Workshop at the Sundance Institute and the Toscano Foundation. He did the design and animation of the credits of the short film El héroe (1994) by Carlos Carrera, which won the Palme d’Or at the 47th Cannes Film Festival, France. He produced the animated short film Cuatro maneras de tapar un hoyo (1995) by Dionisio Ceballos, selected in the 49th Cannes Film Festival and the 18th International Festival of New Latin American Film, Havana, Cuba, among others. His work as a director has been screened at more than 20 festivals around the world, including two editions of the Morelia International Film Festival (FICM). He participated with his short fiction film El aprendiz de rimas (2003) in the 2nd FICM; the 11th Casal Lambda’s Gay and Lesbian Film Festival of Barcelona; and the 18th Guadalajara International Film Festival (FICG), among others. His short fiction film Hola perro (2006) was part of the Official Selection of the 4th FICM. He participated in the 1st Short Shorts Film Festival Mexico (SSFFM) with his short fiction film Tío Luis (2006).

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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