Image Rueda Reyes, Joselo He studied communication and took a course on film appreciation at the Iberoamerican University (UIA), in Mexico City. In 2005, he formed part of the Screenwriters Workshop at the Sundance Institute and the Toscano Foundation. He did the design and animation of the credits of the short film El héroe (1994) by Carlos Carrera, which won the Palme d’Or at the 47th Cannes Film Festival, France. He produced the animated short film Cuatro maneras de tapar un hoyo (1995) by Dionisio Ceballos, selected in the 49th Cannes Film Festival and the 18th International Festival of New Latin American Film, Havana, Cuba, among others. His work as a director has been screened at more than 20 festivals around the world, including two editions of the Morelia International Film Festival (FICM). He participated with his short fiction film El aprendiz de rimas (2003) in the 2nd FICM; the 11th Casal Lambda’s Gay and Lesbian Film Festival of Barcelona; and the 18th Guadalajara International Film Festival (FICG), among others. His short fiction film Hola perro (2006) was part of the Official Selection of the 4th FICM. He participated in the 1st Short Shorts Film Festival Mexico (SSFFM) with his short fiction film Tío Luis (2006). Other Movies If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More 40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More Related News Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25 “The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25 Activities for Impulso Morelia 11 Begin at the 23th FICM 10 · 13 · 25 64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Rueda Reyes, Joselo He studied communication and took a course on film appreciation at the Iberoamerican University (UIA), in Mexico City. In 2005, he formed part of the Screenwriters Workshop at the Sundance Institute and the Toscano Foundation. He did the design and animation of the credits of the short film El héroe (1994) by Carlos Carrera, which won the Palme d’Or at the 47th Cannes Film Festival, France. He produced the animated short film Cuatro maneras de tapar un hoyo (1995) by Dionisio Ceballos, selected in the 49th Cannes Film Festival and the 18th International Festival of New Latin American Film, Havana, Cuba, among others. His work as a director has been screened at more than 20 festivals around the world, including two editions of the Morelia International Film Festival (FICM). He participated with his short fiction film El aprendiz de rimas (2003) in the 2nd FICM; the 11th Casal Lambda’s Gay and Lesbian Film Festival of Barcelona; and the 18th Guadalajara International Film Festival (FICG), among others. His short fiction film Hola perro (2006) was part of the Official Selection of the 4th FICM. He participated in the 1st Short Shorts Film Festival Mexico (SSFFM) with his short fiction film Tío Luis (2006).
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25 “The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25 Activities for Impulso Morelia 11 Begin at the 23th FICM 10 · 13 · 25 64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25
“The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25
64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
