Image Rueda Reyes, Joselo He studied communication and took a course on film appreciation at the Iberoamerican University (UIA), in Mexico City. In 2005, he formed part of the Screenwriters Workshop at the Sundance Institute and the Toscano Foundation. He did the design and animation of the credits of the short film El héroe (1994) by Carlos Carrera, which won the Palme d’Or at the 47th Cannes Film Festival, France. He produced the animated short film Cuatro maneras de tapar un hoyo (1995) by Dionisio Ceballos, selected in the 49th Cannes Film Festival and the 18th International Festival of New Latin American Film, Havana, Cuba, among others. His work as a director has been screened at more than 20 festivals around the world, including two editions of the Morelia International Film Festival (FICM). He participated with his short fiction film El aprendiz de rimas (2003) in the 2nd FICM; the 11th Casal Lambda’s Gay and Lesbian Film Festival of Barcelona; and the 18th Guadalajara International Film Festival (FICG), among others. His short fiction film Hola perro (2006) was part of the Official Selection of the 4th FICM. He participated in the 1st Short Shorts Film Festival Mexico (SSFFM) with his short fiction film Tío Luis (2006). Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Rueda Reyes, Joselo He studied communication and took a course on film appreciation at the Iberoamerican University (UIA), in Mexico City. In 2005, he formed part of the Screenwriters Workshop at the Sundance Institute and the Toscano Foundation. He did the design and animation of the credits of the short film El héroe (1994) by Carlos Carrera, which won the Palme d’Or at the 47th Cannes Film Festival, France. He produced the animated short film Cuatro maneras de tapar un hoyo (1995) by Dionisio Ceballos, selected in the 49th Cannes Film Festival and the 18th International Festival of New Latin American Film, Havana, Cuba, among others. His work as a director has been screened at more than 20 festivals around the world, including two editions of the Morelia International Film Festival (FICM). He participated with his short fiction film El aprendiz de rimas (2003) in the 2nd FICM; the 11th Casal Lambda’s Gay and Lesbian Film Festival of Barcelona; and the 18th Guadalajara International Film Festival (FICG), among others. His short fiction film Hola perro (2006) was part of the Official Selection of the 4th FICM. He participated in the 1st Short Shorts Film Festival Mexico (SSFFM) with his short fiction film Tío Luis (2006).
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
