Image Minter; Sarah She studied cinematography at the CUEC-UNAM film school in Mexico City. She worked and studied with Argentine theater director Juan Carlos Uviedo and took two screenwriting courses at the International School of Film and Television (EICTV) of San Antonio de los Baños, Cuba, with Jean-Claude Carrière and Giancarlo Guarnieri. She is a member of the National System of Art Creators of the National Fund for Culture and the Arts (FONCA), Mexico, since 2008, with various projects, including her video-installation Háblame de Amor, presented at the Montehermoso Cultural Center, Vitoria-Gasteiz, Basque Country, in 2010; at the Alameda Art Laboratory (LAA), Mexico City, in 2010; and the Antoni Tàpies Foundation, Barcelona, Spain, in 2012. She has been a jury member for several artistic and film programs and festivals around the world. In 1996, she founded the Video Workshop at the “La Esmeralda” National School of Painting, Sculpture and Graphics (ENPEG), Mexico. Her work has participated in more than 30 film screenings, festivals and museums around the world. She won for her debut documentary film Nadie es inocente (1986), the González Camarena Award at the 1st Festival Videofilme, Mexico; the Coral award at the 9th International Festival of New Latin American Film, Havana, Cuba; and the Pitirri Prize at the 5th International Film and Video Festival of San Juan, Puerto Rico. Her feature film Alma Punk (1991) received the Rulfo Award at the 1st Festival Videofilme of Guadalajara, Jalisco, and was screened at various museums around the world, including the Reina Sofia National Art Center, Madrid, Spain, in the film series “El roce de los cuerpos” of the exhibit “Perder la Forma Humana”, in 2012 and 2013. In this same exhibition, she presented her feature length documentary Nadie es inocente 20 años después (2010), which won the award for Best Documentary Made by a Woman at the 8th Morelia International Film Festival; the Zanate Award at the 4th Documentary Film and Video Festival Zanate, Colima; Best Mexican Documentary at the 2nd International Film Festival of Puebla (FIC Puebla); and a Special Mention at the 6th Independent Hispanic American Film and Video Festival, “All Voices Against the Silence,” in Mexico City. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Minter; Sarah She studied cinematography at the CUEC-UNAM film school in Mexico City. She worked and studied with Argentine theater director Juan Carlos Uviedo and took two screenwriting courses at the International School of Film and Television (EICTV) of San Antonio de los Baños, Cuba, with Jean-Claude Carrière and Giancarlo Guarnieri. She is a member of the National System of Art Creators of the National Fund for Culture and the Arts (FONCA), Mexico, since 2008, with various projects, including her video-installation Háblame de Amor, presented at the Montehermoso Cultural Center, Vitoria-Gasteiz, Basque Country, in 2010; at the Alameda Art Laboratory (LAA), Mexico City, in 2010; and the Antoni Tàpies Foundation, Barcelona, Spain, in 2012. She has been a jury member for several artistic and film programs and festivals around the world. In 1996, she founded the Video Workshop at the “La Esmeralda” National School of Painting, Sculpture and Graphics (ENPEG), Mexico. Her work has participated in more than 30 film screenings, festivals and museums around the world. She won for her debut documentary film Nadie es inocente (1986), the González Camarena Award at the 1st Festival Videofilme, Mexico; the Coral award at the 9th International Festival of New Latin American Film, Havana, Cuba; and the Pitirri Prize at the 5th International Film and Video Festival of San Juan, Puerto Rico. Her feature film Alma Punk (1991) received the Rulfo Award at the 1st Festival Videofilme of Guadalajara, Jalisco, and was screened at various museums around the world, including the Reina Sofia National Art Center, Madrid, Spain, in the film series “El roce de los cuerpos” of the exhibit “Perder la Forma Humana”, in 2012 and 2013. In this same exhibition, she presented her feature length documentary Nadie es inocente 20 años después (2010), which won the award for Best Documentary Made by a Woman at the 8th Morelia International Film Festival; the Zanate Award at the 4th Documentary Film and Video Festival Zanate, Colima; Best Mexican Documentary at the 2nd International Film Festival of Puebla (FIC Puebla); and a Special Mention at the 6th Independent Hispanic American Film and Video Festival, “All Voices Against the Silence,” in Mexico City.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
