Image Hernández Cordón; Julio He studied film at the CCC film school in Mexico City. He has been part of the National System of Art Creators at the National Fund for Culture and the Arts (FONCA), Mexico, on two occasions. In 2009, he participated at the Résidence of Cinéfondation, created by the Cannes Festival, France. His work has participated in more than 20 festivals around the world. He won the Horizontes Award at the 56th San Sebastián International Film Festival, Spain, and the International Jury Award at the 11th Buenos Aires International Independent Film Festival (BAFICI, in Spanish), Argentine, for his first feature film Gasolina (2008), among other awards. His film Las marimbas del infierno (2010) won the Best Mexican Feature Film Award at the 8th Morelia International Film Festival (FICM), México; the Jury and Audience Awards at the 17th Valdivia International Film Festival (FICV, in spanish), Chile; the Best Ibero-American Feature Film Award at the 28th Miami International Film Festival, United States; and the Ciputti and Jury Award at the 28th Torino Film Festival (TFF), among others. He also won the Coup de Cœur Award at the 26th Toulouse Latin American Film Festival, France, for his film Polvo (2012), and the Espérance and Jury Awards at the 23rd Marseille International Film Festival (FIDMarseille), France, for his work Hasta el sol tiene manchas (2012). His feature film Te prometo anarquía (2015) was presented at the 68th Festival del film Locarno, Switzerland, and was part of the Official Selection of the 13th FICM. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News ¡Atrás hay relámpagos, de Julio Hernández Cordón, ya está en cartelera! 02 · 15 · 19 Una corriente salvaje, de Nuria Ibáñez, en el festival Neighboring Scenes 02 · 11 · 19 Carlos Reygadas y Julio Hernández Cordón seleccionados en el Festival de San Sebastián 08 · 13 · 18 Reciben con aplausos Cómprame un revólver, de Julio Hernández Cordón, en Cannes 05 · 16 · 18 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Hernández Cordón; Julio He studied film at the CCC film school in Mexico City. He has been part of the National System of Art Creators at the National Fund for Culture and the Arts (FONCA), Mexico, on two occasions. In 2009, he participated at the Résidence of Cinéfondation, created by the Cannes Festival, France. His work has participated in more than 20 festivals around the world. He won the Horizontes Award at the 56th San Sebastián International Film Festival, Spain, and the International Jury Award at the 11th Buenos Aires International Independent Film Festival (BAFICI, in Spanish), Argentine, for his first feature film Gasolina (2008), among other awards. His film Las marimbas del infierno (2010) won the Best Mexican Feature Film Award at the 8th Morelia International Film Festival (FICM), México; the Jury and Audience Awards at the 17th Valdivia International Film Festival (FICV, in spanish), Chile; the Best Ibero-American Feature Film Award at the 28th Miami International Film Festival, United States; and the Ciputti and Jury Award at the 28th Torino Film Festival (TFF), among others. He also won the Coup de Cœur Award at the 26th Toulouse Latin American Film Festival, France, for his film Polvo (2012), and the Espérance and Jury Awards at the 23rd Marseille International Film Festival (FIDMarseille), France, for his work Hasta el sol tiene manchas (2012). His feature film Te prometo anarquía (2015) was presented at the 68th Festival del film Locarno, Switzerland, and was part of the Official Selection of the 13th FICM.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
¡Atrás hay relámpagos, de Julio Hernández Cordón, ya está en cartelera! 02 · 15 · 19 Una corriente salvaje, de Nuria Ibáñez, en el festival Neighboring Scenes 02 · 11 · 19 Carlos Reygadas y Julio Hernández Cordón seleccionados en el Festival de San Sebastián 08 · 13 · 18 Reciben con aplausos Cómprame un revólver, de Julio Hernández Cordón, en Cannes 05 · 16 · 18
