Image Gudiño Sosa; Andrea Estudió la Licenciatura en Animación en la Universidad de Medios Audiovisuales (CAAV), Guadalajara. Directora y animadora independiente cuyo trabajo consiste en la experimentación con técnicas mixtas de animación y fotografía. Su cortometraje de titulación Dejarse Crecer el Cuerpo fue seleccionado en más de 20 Festivales Internacionales y premiado en algunos de los Festivales más relevantes del país, fue parte de la Selección Oficial del FICM 2018. Other Movies The Virgin of the Quarry Lake Natalia, Mariela and Josefina are inseparable friends—all three madly in love with Diego, a childhood friend. In the turbulent summer of 2001, Silvia, a socialite and older woman, appears and captivates him. Natalia then asks her grandmother for help, who introduces her to the realm of spells and black magic. See More El canto de las manos This documentary explores deafness through Jennifer, Gabriel and José—three deaf musicians from Venezuela—who take on the challenge of performing Fidelio by Beethoven in sign language for the first time, conducted by Gustavo Dudamel. The film depicts the isolation the protagonists face due to their deafness, where music becomes not only a refuge, but also their salvation and hope. See More John Lilly and the Earth Coincidence Control Office Filmmakers Michael Almereyda and Courtney Stephens explore the life and ideas of mid-20th-century utopian neuroscientist John C. Lilly, whose unorthodox experiments on human and animal consciousness were controversial due to their methodology, but whose intentions were far-reaching. See More Related News Charlie Kaufman will present his short film HOW TO SHOOT A GHOST at the 23rd FICM 09 · 30 · 25 Legendary Actress and Director Jodie Foster Returns to FICM 09 · 26 · 25 The Morelia International Film Festival Announces the Members of the Jury for its 23rd edition 09 · 16 · 25 FICM Mourns the Death of the Legendary Robert Redford 09 · 16 · 25 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Gudiño Sosa; Andrea Estudió la Licenciatura en Animación en la Universidad de Medios Audiovisuales (CAAV), Guadalajara. Directora y animadora independiente cuyo trabajo consiste en la experimentación con técnicas mixtas de animación y fotografía. Su cortometraje de titulación Dejarse Crecer el Cuerpo fue seleccionado en más de 20 Festivales Internacionales y premiado en algunos de los Festivales más relevantes del país, fue parte de la Selección Oficial del FICM 2018.
The Virgin of the Quarry Lake Natalia, Mariela and Josefina are inseparable friends—all three madly in love with Diego, a childhood friend. In the turbulent summer of 2001, Silvia, a socialite and older woman, appears and captivates him. Natalia then asks her grandmother for help, who introduces her to the realm of spells and black magic. See More
El canto de las manos This documentary explores deafness through Jennifer, Gabriel and José—three deaf musicians from Venezuela—who take on the challenge of performing Fidelio by Beethoven in sign language for the first time, conducted by Gustavo Dudamel. The film depicts the isolation the protagonists face due to their deafness, where music becomes not only a refuge, but also their salvation and hope. See More
John Lilly and the Earth Coincidence Control Office Filmmakers Michael Almereyda and Courtney Stephens explore the life and ideas of mid-20th-century utopian neuroscientist John C. Lilly, whose unorthodox experiments on human and animal consciousness were controversial due to their methodology, but whose intentions were far-reaching. See More
Charlie Kaufman will present his short film HOW TO SHOOT A GHOST at the 23rd FICM 09 · 30 · 25 Legendary Actress and Director Jodie Foster Returns to FICM 09 · 26 · 25 The Morelia International Film Festival Announces the Members of the Jury for its 23rd edition 09 · 16 · 25 FICM Mourns the Death of the Legendary Robert Redford 09 · 16 · 25
The Morelia International Film Festival Announces the Members of the Jury for its 23rd edition 09 · 16 · 25
