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Ariadna Galaz Vega

Galaz Vega; Ariadna

Animation, Direction
Ariadna Galaz Vega is a Mexican filmmaker, visual artist, and illustrator. She holds a Bachelor’s degree in Graphic Design from Anahuac University Mexico, with a specialization in editorial illustration. In 2015, she co-founded the artistic project Los Calladitos with Jorge Peralta Galindo. This creative duo focuses on creating characters and visual universes inspired by legends and local communities, bridging muralism, animation, and editorial illustration.
Through Los Calladitos, she has developed street-art projects and exhibitions in Mexico, Germany, France, Spain, Estonia, the United States, and Colombia. Her work has been featured in initiatives and festivals including IBUG Art, Graffitea Cheste, Mextonia, Mister Freeze, Brown Wall Project, and International Biennial Muralism and Public Art in Colombia. In addition to that, she has presented her work in galleries such as Montana Gallery (Barcelona) and Pilsen Arts & Community House (Chicago).
In the field of filmmaking, she is the director and co-writer of the animated short film Puc Puc (2026), produced in collaboration with Jorge Peralta Galindo and supported by the Promotion of Mexican Cinema [FOCINE, by its acronym in Spanish, Programa de fomento al cine mexicano].

Other Movies

The Conformist

El Conformista
In Fascist Italy in 1938, Marcello Clerici is eager to be accepted into the social circles of the regime, which he admires. His opportunity arises when he is ordered to track down, in Paris, a former professor of his—now an opponent of Mussolini—and assassinate him. See More

The Conformist

logo FICM
In Fascist Italy in 1938, Marcello Clerici is eager to be accepted into the social circles of the regime, which he admires. His opportunity arises when he is ordered to track down, in Paris, a former professor of his—now an opponent of Mussolini—and assassinate him. See More

The Conformist

logo FICM
In Fascist Italy in 1938, Marcello Clerici is eager to be accepted into the social circles of the regime, which he admires. His opportunity arises when he is ordered to track down, in Paris, a former professor of his—now an opponent of Mussolini—and assassinate him. See More

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