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Estrada Cárdenas, Lucio Pedro

He studied political science at the Autonomous University of Querétaro (UAQ, in Spanish) and received a master’s degree in screenwriting and film directing from the Mexican Institute of Film and Humanistic Research (IMICH, in Spanish), Morelia. He also took a course in literature and film, among other classes, at the Michoacán University of Saint Nicolás of Hidalgo (UMICH), Morelia. He participated in the 9th Morelia International Film Festival (FICM) as the producer and editor of the animated film by Alba Sovietina Estrada Cárdenas, SER O NO ser; and director of the short documentary film Aquí en mi tierra: La memoria y la palabra, which participated in th 9th International Festival of Poor Cinema of Gibara, Cuba. He won first place in the 2nd Desafía Exprés competition at the 1stUNAM International Film Festival (FICUNAM) with his short film El abuelo (2011). He is currently in the preproduction stage of his first feature Óleos en la oscuridad.  

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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