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de la Rosa, Fernando

He studied communication at the Autonomous University of Baja California (UABC, in Spanish). His short film Takei Kna: La última fiesta de un Kumiai (2010) won the Best Film Award at the 1st International Festival of Indigenous Film and Video (FICVI, in Spanish), Puebla; Third Place at the Indigenous Film and Video Festival (FECVI, in Spanish), Morelia; and Best Baja California Documentary at the 2nd UABC International Film Festival, Mexico. He received the State Program -  Incentives for Creation and Artistic Development Grant (PECDA, in Spanish) from the Baja California Cultural Institute (ICBC, in Spanish) from 2011 to 2012, in the category of Film and Video for the feature film Jalmá (2012), which participated in the 10th Morelia International Film Festival (FICM), among other festivals.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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