Image de la Rosa, Fernando He studied communication at the Autonomous University of Baja California (UABC, in Spanish). His short film Takei Kna: La última fiesta de un Kumiai (2010) won the Best Film Award at the 1st International Festival of Indigenous Film and Video (FICVI, in Spanish), Puebla; Third Place at the Indigenous Film and Video Festival (FECVI, in Spanish), Morelia; and Best Baja California Documentary at the 2nd UABC International Film Festival, Mexico. He received the State Program - Incentives for Creation and Artistic Development Grant (PECDA, in Spanish) from the Baja California Cultural Institute (ICBC, in Spanish) from 2011 to 2012, in the category of Film and Video for the feature film Jalmá (2012), which participated in the 10th Morelia International Film Festival (FICM), among other festivals. Other Movies If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More 40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More Related News Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image de la Rosa, Fernando He studied communication at the Autonomous University of Baja California (UABC, in Spanish). His short film Takei Kna: La última fiesta de un Kumiai (2010) won the Best Film Award at the 1st International Festival of Indigenous Film and Video (FICVI, in Spanish), Puebla; Third Place at the Indigenous Film and Video Festival (FECVI, in Spanish), Morelia; and Best Baja California Documentary at the 2nd UABC International Film Festival, Mexico. He received the State Program - Incentives for Creation and Artistic Development Grant (PECDA, in Spanish) from the Baja California Cultural Institute (ICBC, in Spanish) from 2011 to 2012, in the category of Film and Video for the feature film Jalmá (2012), which participated in the 10th Morelia International Film Festival (FICM), among other festivals.
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26
