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de la Rosa, Fernando

He studied communication at the Autonomous University of Baja California (UABC, in Spanish). His short film Takei Kna: La última fiesta de un Kumiai (2010) won the Best Film Award at the 1st International Festival of Indigenous Film and Video (FICVI, in Spanish), Puebla; Third Place at the Indigenous Film and Video Festival (FECVI, in Spanish), Morelia; and Best Baja California Documentary at the 2nd UABC International Film Festival, Mexico. He received the State Program -  Incentives for Creation and Artistic Development Grant (PECDA, in Spanish) from the Baja California Cultural Institute (ICBC, in Spanish) from 2011 to 2012, in the category of Film and Video for the feature film Jalmá (2012), which participated in the 10th Morelia International Film Festival (FICM), among other festivals.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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