Image de la Garza Villarreal, David He studied communication at the Instituto Tecnológico y de Estudios Superiores de Monterrey (ITESM), Mexico, and received a master of arts in filmmaking at the London Film School (LFS), England. He worked as a teacher in administration and evaluation of media projects and audiovisual and narrative language at the ITESM, campus Monterrey, and film production and directing at the University of Monterrey (UDEM). He participated in the 5th Morelia International Film Festival (FICM) with his short fiction film Sobrecamas (2007), which was nominated for Best International Short Film and Best Actress in a Short Film for Lydia Ávila at the 9th Urban Mediamakers Film Festival (UMFF), Norcross, Georgia. Other Movies If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More 40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More Related News Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image de la Garza Villarreal, David He studied communication at the Instituto Tecnológico y de Estudios Superiores de Monterrey (ITESM), Mexico, and received a master of arts in filmmaking at the London Film School (LFS), England. He worked as a teacher in administration and evaluation of media projects and audiovisual and narrative language at the ITESM, campus Monterrey, and film production and directing at the University of Monterrey (UDEM). He participated in the 5th Morelia International Film Festival (FICM) with his short fiction film Sobrecamas (2007), which was nominated for Best International Short Film and Best Actress in a Short Film for Lydia Ávila at the 9th Urban Mediamakers Film Festival (UMFF), Norcross, Georgia.
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26
