Image Bernal; Susana She studied cinematography at the CUEC-UNAM film school and English literature at the National Autonomous University of Mexico (UNAM). She received the Young Creator’s Grant from the National Fund for Culture and the Arts (FONCA), Mexico, in 2012. She has worked as a producer, photographer and director. As a producer, she has worked on several projects for which she has received various national and international awards. She participated in the Cinéma en Construction program of the 28th Cinélatino Rencontres Cinémas d’Amérique Latine de Touluse, France, with Maquinaria Panamericana, the debut film by Joaquín del Paso. She is the founder of Black Maria Cine, a production company of contemporary cinema. Her first feature length documentary Nararachi (2015) was part of the Official Selection of the 13th Morelia International Film Festival (FICM). Other Movies If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More 40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More Related News Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Bernal; Susana She studied cinematography at the CUEC-UNAM film school and English literature at the National Autonomous University of Mexico (UNAM). She received the Young Creator’s Grant from the National Fund for Culture and the Arts (FONCA), Mexico, in 2012. She has worked as a producer, photographer and director. As a producer, she has worked on several projects for which she has received various national and international awards. She participated in the Cinéma en Construction program of the 28th Cinélatino Rencontres Cinémas d’Amérique Latine de Touluse, France, with Maquinaria Panamericana, the debut film by Joaquín del Paso. She is the founder of Black Maria Cine, a production company of contemporary cinema. Her first feature length documentary Nararachi (2015) was part of the Official Selection of the 13th Morelia International Film Festival (FICM).
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26
