2022 | Color | 144:00 The remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s, displaying skills and fierceness unlike anything the world had ever seen. The film follows the epic journey of General Nanisca as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life. Country: Canadá, Estados Unidos Direction: Prince-Bythewood; Gina Script: Stevens; Dana Production: Schulman; Cathy, Davis; Viola, Tennon; Julius, Bello; Maria Photography: Morgan; Polly Music: Blanchard; Terence, M.; Lebo Cast:Davis; Viola, Mbedu; Thuso, Lynch; Lashana, Atim; Sheila, Fiennes-Tiffin; Hero, Boyega; John Participation year at FICM: 2022
2022 | Color | 144:00 The remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s, displaying skills and fierceness unlike anything the world had ever seen. The film follows the epic journey of General Nanisca as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life. Country: Canadá, Estados Unidos Direction: Prince-Bythewood; Gina Script: Stevens; Dana Production: Schulman; Cathy, Davis; Viola, Tennon; Julius, Bello; Maria Photography: Morgan; Polly Music: Blanchard; Terence, M.; Lebo Cast:Davis; Viola, Mbedu; Thuso, Lynch; Lashana, Atim; Sheila, Fiennes-Tiffin; Hero, Boyega; John Participation year at FICM: 2022
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
There is no one like mom. Mexico: atypical maternities in the 20th century 05 · 09 · 24 Farewell Laurent Cantet: two of his early films 05 · 02 · 24 El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24