2003 | Color | 88 min Vodka Lemon In a Kurdish village in the Caucasus surrounded only by snow, sixtysomething year-old Hamo lives with the consequences of being a retired member of the Red Army. A widower, the only thing he has left is a television set, his old army uniform, and a seven dollar pension. Every day, Hamo goes to the cemetery to talk to his wife. A little further down, Nina, a beautiful fifty year-old widow, brushes the snow off her husband?s grave. They soon realize that a common ritual unites them, and that in the midst of such a cold, hostile climate, a warm relationship can grow between them Country: Italia, Suiza, Francia, Alemania Direction: Saleem; Hiner Script: Salee; Hiner Production: Salee; Hiner Photography: Pollock; Christophe Sound: Ullman; Frédéric Music: Dadoyan; Roustam, Korb; Michel Cast:Avinian; Romen, Sarkissian; Lala, Franek; Ivan Participation year at FICM: 2004
2003 | Color | 88 min Vodka Lemon In a Kurdish village in the Caucasus surrounded only by snow, sixtysomething year-old Hamo lives with the consequences of being a retired member of the Red Army. A widower, the only thing he has left is a television set, his old army uniform, and a seven dollar pension. Every day, Hamo goes to the cemetery to talk to his wife. A little further down, Nina, a beautiful fifty year-old widow, brushes the snow off her husband?s grave. They soon realize that a common ritual unites them, and that in the midst of such a cold, hostile climate, a warm relationship can grow between them Country: Italia, Suiza, Francia, Alemania Direction: Saleem; Hiner Script: Salee; Hiner Production: Salee; Hiner Photography: Pollock; Christophe Sound: Ullman; Frédéric Music: Dadoyan; Roustam, Korb; Michel Cast:Avinian; Romen, Sarkissian; Lala, Franek; Ivan Participation year at FICM: 2004
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
The 23rd Edition of the Morelia International Film Festival Opened with Kleber Mendonça Filho's THE SECRET AGENT 10 · 10 · 25 "I Don't Like the Idea of Pure Cinema": Kleber Mendonça Filho Talks About THE SECRET AGENT at the 23rd FICM 10 · 10 · 25 The Third Film Development Lab for Filmmakers of Indigenous and African Descent in Mexico has Begun 10 · 09 · 25 The 2025 Indigenous Peoples Forum Announces its Activities for the 23rd FICM 10 · 08 · 25
The 23rd Edition of the Morelia International Film Festival Opened with Kleber Mendonça Filho's THE SECRET AGENT 10 · 10 · 25
"I Don't Like the Idea of Pure Cinema": Kleber Mendonça Filho Talks About THE SECRET AGENT at the 23rd FICM 10 · 10 · 25
The Third Film Development Lab for Filmmakers of Indigenous and African Descent in Mexico has Begun 10 · 09 · 25