2004 | Color | 120 min Set in the mid 1980s El Salvador, in the midst of the countrys civil war, a young boy must decide between enlisting in the army or join up with guerrillas. Country: México Direction: Mandoki; Luis Script: Torres; Óscar, Mandoki; Luis Production: Mandoki; Luis, Soberón Kuri; Alejandro, Harp; Sisset, Harp; Alfredo, Lugo; Elba Luis, González; Federico, Bender; Lawrence Photography: Ruiz Anchia; Juan Sound: Hernández; Martín Music: Abujamra; André
2004 | Color | 120 min Set in the mid 1980s El Salvador, in the midst of the countrys civil war, a young boy must decide between enlisting in the army or join up with guerrillas. Country: México Direction: Mandoki; Luis Script: Torres; Óscar, Mandoki; Luis Production: Mandoki; Luis, Soberón Kuri; Alejandro, Harp; Sisset, Harp; Alfredo, Lugo; Elba Luis, González; Federico, Bender; Lawrence Photography: Ruiz Anchia; Juan Sound: Hernández; Martín Music: Abujamra; André
Presencias After surviving a harrowing tragedy, Víctor Constantino returns to the cabin of his childhood in search of the truth. Before he can find it, he will be forced to face his worst nightmare. See More
The Precocious and Brief Life of Sabina Rivas After some years without seeing each other, the young teenage lovers, Sabina and Jovany, who are both Hondurans, accidentally meet again at the Mexican-Guatemalan border. There they confront horrifying situations, involving white slavery, Mexican and U.S. migration agents, a brothel matron, the Mexican Consul in Tecún Umán, drug trafficking networks, the army and the Mara Salvatrucha. See More
Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
