2017 | Color | 03:45 Based on Hoffman’s story The Sandman. The film alludes to the anguish of having a valuable organ mutilated and to slapdash experiments that create a hybrid between life and artifice. This is part of the project Fantástico Encarnado (the Embodied Fantastic), a series of animations exploring everyday phenomena that manifest themselves in unsettling ways: hidden memories, repressed desires, and dark fantasies. Direction: Robles Jiménez; Andrea Script: Robles Jiménez; Andrea Production: Cavalchini; Lucía Photography: Robles Jiménez; Andrea Sound: Noizel Music: Noizel Art direction: Rubane; Liene Participation year at FICM: 2017
2017 | Color | 03:45 Based on Hoffman’s story The Sandman. The film alludes to the anguish of having a valuable organ mutilated and to slapdash experiments that create a hybrid between life and artifice. This is part of the project Fantástico Encarnado (the Embodied Fantastic), a series of animations exploring everyday phenomena that manifest themselves in unsettling ways: hidden memories, repressed desires, and dark fantasies. Direction: Robles Jiménez; Andrea Script: Robles Jiménez; Andrea Production: Cavalchini; Lucía Photography: Robles Jiménez; Andrea Sound: Noizel Music: Noizel Art direction: Rubane; Liene Participation year at FICM: 2017
IV. Impermanencia The trace of disturbing memories within a circle where the horizon is lost, what was already seen and reappears without any sense. The tiny space where dreams becomes lively present. Nothing is permanent, the dreams are foam. See More
The Morelia International Film Festival Reveals the Program for its 23rd Edition 09 · 04 · 25 Eusebio Poncela (1945-2025): LAW OF DESIRE and RAPTURE 08 · 28 · 25 Impulso Morelia 11 Announces Its Selection and International Experts’ Panel 08 · 26 · 25 The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25
