2017 | Color | 03:45 Based on Hoffman’s story The Sandman. The film alludes to the anguish of having a valuable organ mutilated and to slapdash experiments that create a hybrid between life and artifice. This is part of the project Fantástico Encarnado (the Embodied Fantastic), a series of animations exploring everyday phenomena that manifest themselves in unsettling ways: hidden memories, repressed desires, and dark fantasies. Direction: Robles Jiménez; Andrea Script: Robles Jiménez; Andrea Production: Cavalchini; Lucía Photography: Robles Jiménez; Andrea Sound: Noizel Music: Noizel Art direction: Rubane; Liene Participation year at FICM: 2017
2017 | Color | 03:45 Based on Hoffman’s story The Sandman. The film alludes to the anguish of having a valuable organ mutilated and to slapdash experiments that create a hybrid between life and artifice. This is part of the project Fantástico Encarnado (the Embodied Fantastic), a series of animations exploring everyday phenomena that manifest themselves in unsettling ways: hidden memories, repressed desires, and dark fantasies. Direction: Robles Jiménez; Andrea Script: Robles Jiménez; Andrea Production: Cavalchini; Lucía Photography: Robles Jiménez; Andrea Sound: Noizel Music: Noizel Art direction: Rubane; Liene Participation year at FICM: 2017
IV. Impermanencia The trace of disturbing memories within a circle where the horizon is lost, what was already seen and reappears without any sense. The tiny space where dreams becomes lively present. Nothing is permanent, the dreams are foam. See More
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“Where and Who We Are Changes as Life Shapes Us With Blows and God Dictates the Form”: Guillermo del Toro's Message Ahead of FRANKENSTEIN'S Premiere at the 23rd FICM 10 · 15 · 25
Alexandra Hedison Presented ALOK, a Short Film That Goes Beyond the Binary, at the 23rd FICM 10 · 15 · 25
