2018 | Color | 03:45 The trace of disturbing memories within a circle where the horizon is lost, what was already seen and reappears without any sense. The tiny space where dreams becomes lively present. Nothing is permanent, the dreams are foam. Country: México Direction: Robles Jiménez; Andrea Script: Robles Jiménez; Andrea Production: Cavalchini; Lucía Photography: Robles; Andrea Sound: Voglsinger; Stefan Music: Voglsinger; Stefan Art direction: Rubane; Liene Participation year at FICM: 2019
2018 | Color | 03:45 The trace of disturbing memories within a circle where the horizon is lost, what was already seen and reappears without any sense. The tiny space where dreams becomes lively present. Nothing is permanent, the dreams are foam. Country: México Direction: Robles Jiménez; Andrea Script: Robles Jiménez; Andrea Production: Cavalchini; Lucía Photography: Robles; Andrea Sound: Voglsinger; Stefan Music: Voglsinger; Stefan Art direction: Rubane; Liene Participation year at FICM: 2019
V el artificio Based on Hoffman’s story The Sandman. The film alludes to the anguish of having a valuable organ mutilated and to slapdash experiments that create a hybrid between life and artifice. This is part of the project Fantástico Encarnado (the Embodied Fantastic), a series of animations exploring everyday phenomena that manifest themselves in unsettling ways: hidden memories, repressed desires, and dark fantasies. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
