2018 | Color | 03:45 The trace of disturbing memories within a circle where the horizon is lost, what was already seen and reappears without any sense. The tiny space where dreams becomes lively present. Nothing is permanent, the dreams are foam. Country: México Direction: Robles Jiménez; Andrea Script: Robles Jiménez; Andrea Production: Cavalchini; Lucía Photography: Robles; Andrea Sound: Voglsinger; Stefan Music: Voglsinger; Stefan Art direction: Rubane; Liene Participation year at FICM: 2019
2018 | Color | 03:45 The trace of disturbing memories within a circle where the horizon is lost, what was already seen and reappears without any sense. The tiny space where dreams becomes lively present. Nothing is permanent, the dreams are foam. Country: México Direction: Robles Jiménez; Andrea Script: Robles Jiménez; Andrea Production: Cavalchini; Lucía Photography: Robles; Andrea Sound: Voglsinger; Stefan Music: Voglsinger; Stefan Art direction: Rubane; Liene Participation year at FICM: 2019
V el artificio Based on Hoffman’s story The Sandman. The film alludes to the anguish of having a valuable organ mutilated and to slapdash experiments that create a hybrid between life and artifice. This is part of the project Fantástico Encarnado (the Embodied Fantastic), a series of animations exploring everyday phenomena that manifest themselves in unsettling ways: hidden memories, repressed desires, and dark fantasies. See More
Ana Cristina Barragán's HIEDRA Presented at the 23rd FICM 10 · 14 · 25 Olivia Harrison Presented the Documentary BEATLES '64 10 · 14 · 25 Emilio Maillé: LA NOCHE ETERNA DEL BABY’O Was Like Entering a World That is Not My World 10 · 14 · 25 NO ME SIGAS World Premiere at the 23rd FICM 10 · 14 · 25
Emilio Maillé: LA NOCHE ETERNA DEL BABY’O Was Like Entering a World That is Not My World 10 · 14 · 25
