2020 | Color | 14:44 A decision is about to be made. A seminarian is at war with himself: his faith is the battlefield. Country: México Direction: Alonso Ayala ; Andrés Script: Alonso Ayala ; Andrés Production: Melgarejo; Anel Photography: Ramírez Alonso; Diego Sound: Pérez Aréchiga; Daniel Cast:Flores; Pablo, Jiménez Gazca; Argel, Ochoa Díaz; José Toivo, Guevara Fefer; Pedro Art direction: Castro; Darián Participation year at FICM: 2020
2020 | Color | 14:44 A decision is about to be made. A seminarian is at war with himself: his faith is the battlefield. Country: México Direction: Alonso Ayala ; Andrés Script: Alonso Ayala ; Andrés Production: Melgarejo; Anel Photography: Ramírez Alonso; Diego Sound: Pérez Aréchiga; Daniel Cast:Flores; Pablo, Jiménez Gazca; Argel, Ochoa Díaz; José Toivo, Guevara Fefer; Pedro Art direction: Castro; Darián Participation year at FICM: 2020
Only the death know The mourning has passed, it's not a time to lament, but to celebrate, to wait for the rituals to work and for our dead to come. But how will they know the way if it becomes increasingly unclear? See More
Eternal Land Like fertile land, children learn from their environment, trees like their wise teachers pass on their teachings. We are all the land. See More
Third Round Rubén is a boxer remembering his childhood, youth, and adulthood. Every stage contributed to his evolution as a professional boxer, but life’s twists and turns have put him in a complicated situation today. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
