2008 | Color | 15 min Where is the image born? Gerardo Nigenda lost his sight permanently at the age of 26. He started taking pictures at age 32. He learned photography when he was the manager of the Braille System at the Manuel Álvarez Bravo Photographic Center, in Oaxaca, Mexico. This documentary shows us that it is not necessary to be able to see in order to create images these don´t come from sight exclusively. Country: México Direction: Resendiz Gómez; Alberto Script: Resendiz Gómez; Alberto Production: García; Misael, Resendiz Gómez; Alberto Photography: Resendiz Gómez; Alberto Sound: Magos C.; Moisés Cast:Nigenda; Gerardo Participation year at FICM: 2008
2008 | Color | 15 min Where is the image born? Gerardo Nigenda lost his sight permanently at the age of 26. He started taking pictures at age 32. He learned photography when he was the manager of the Braille System at the Manuel Álvarez Bravo Photographic Center, in Oaxaca, Mexico. This documentary shows us that it is not necessary to be able to see in order to create images these don´t come from sight exclusively. Country: México Direction: Resendiz Gómez; Alberto Script: Resendiz Gómez; Alberto Production: García; Misael, Resendiz Gómez; Alberto Photography: Resendiz Gómez; Alberto Sound: Magos C.; Moisés Cast:Nigenda; Gerardo Participation year at FICM: 2008
Requiem for Eternity In August 2007, after having some medical tests, I was diagnosed with bone cancer. This film is based on my memories of those days. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
