2024 | Color | 24:00 Ramiro is a young addict admitted to a rehab center. At first, he distances himself from everyone, but gradually the experiences and the words of the other patients confronts him with his reality. Country: México Direction: Margulis; Adolfo Script: Margulis; Adolfo, Alfeirán; Penélope Production: Ruiz Díaz; Alejandra Photography: Pereda; Maurice Sound: Gómez Guevara; Francisco, Domsan; Laure, Ortiz; Efraín Music: Orihuela Montes de Oca; Raúl Cast:Delgado; Andrés, Hernández Álvarez; Noé, Medina; Juan Luis, Virago; Rodrigo Art direction: Evangelista; Farid Participation year at FICM: 2024
2024 | Color | 24:00 Ramiro is a young addict admitted to a rehab center. At first, he distances himself from everyone, but gradually the experiences and the words of the other patients confronts him with his reality. Country: México Direction: Margulis; Adolfo Script: Margulis; Adolfo, Alfeirán; Penélope Production: Ruiz Díaz; Alejandra Photography: Pereda; Maurice Sound: Gómez Guevara; Francisco, Domsan; Laure, Ortiz; Efraín Music: Orihuela Montes de Oca; Raúl Cast:Delgado; Andrés, Hernández Álvarez; Noé, Medina; Juan Luis, Virago; Rodrigo Art direction: Evangelista; Farid Participation year at FICM: 2024
Meat Jak and his father, two Haitian migrants working in a meatpacking plant in Mexico City, receive confirmation of their asylum appointment in the United States. As they race against time to reach the border, Jak finds himself unable to move forward without knowing what happened to his missing mother. See More
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26 “One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26 A Critical Look at the Artistic Community: Nicolás Pereda Presents LO DEMÁS ES RUIDO at the 24th FICM 10 · 22 · 26 Jean Vivo's L'ATALANTE Screened at the 24th FICM 10 · 22 · 26
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26
“One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26
A Critical Look at the Artistic Community: Nicolás Pereda Presents LO DEMÁS ES RUIDO at the 24th FICM 10 · 22 · 26
