2008 | Color | 14 min After the right to life and liberty comes the right to dream! María is a teenage farmer with a thousand dreams for her future. Jose is her boyfriend. María?s family doesn?t approve of their relationship. Her life changes drastically when her dreams and hopes are not realized (and not precisely because of her family issues). This film is based on real life stories about growing up in a war-trodden country like Colombia. Country: México Direction: Vizcaya Sánchez; Vlamyr Script: Vizcaya Sánchez; Vlamyr Photography: Otero; Luis Sound: Umaña; Rafael Music: López; César Cast:González; Carmenza, Zapata; Brunilda, Sánchez; Pepe, Felipe Martínez; Andrés, Tarazona; Víctor, Camila Parada; María, Rayo; Jaime Participation year at FICM: 2008
2008 | Color | 14 min After the right to life and liberty comes the right to dream! María is a teenage farmer with a thousand dreams for her future. Jose is her boyfriend. María?s family doesn?t approve of their relationship. Her life changes drastically when her dreams and hopes are not realized (and not precisely because of her family issues). This film is based on real life stories about growing up in a war-trodden country like Colombia. Country: México Direction: Vizcaya Sánchez; Vlamyr Script: Vizcaya Sánchez; Vlamyr Photography: Otero; Luis Sound: Umaña; Rafael Music: López; César Cast:González; Carmenza, Zapata; Brunilda, Sánchez; Pepe, Felipe Martínez; Andrés, Tarazona; Víctor, Camila Parada; María, Rayo; Jaime Participation year at FICM: 2008
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
