2008 | Color | 20 min Interconnected stories portray an unknown image of our city, that of the local garbage dump. The human beings who work there are virtually invisible to a large part of our society. Country: México Direction: Bautista Fletes; Beatriz Betsabé Script: Bautista Fletes; Beatriz Betsabé Production: Bautista Fletes; Beatriz Betsabé, Ponce Nava; Omar Osiris Photography: Ponce Nava; Omar Osiris Sound: Montoya Cruz; Luis Armando Music: De Cartón; Casas, Primera; Alí, Tijuana;, Ska-p; Art direction: Ponce Nava; Omar Osiris Participation year at FICM: 2009
2008 | Color | 20 min Interconnected stories portray an unknown image of our city, that of the local garbage dump. The human beings who work there are virtually invisible to a large part of our society. Country: México Direction: Bautista Fletes; Beatriz Betsabé Script: Bautista Fletes; Beatriz Betsabé Production: Bautista Fletes; Beatriz Betsabé, Ponce Nava; Omar Osiris Photography: Ponce Nava; Omar Osiris Sound: Montoya Cruz; Luis Armando Music: De Cartón; Casas, Primera; Alí, Tijuana;, Ska-p; Art direction: Ponce Nava; Omar Osiris Participation year at FICM: 2009
Nayeri Su'umuavika(Semana Santa Cora) Mystical beings, ancient trips, roads inherited through the years. The river appears as the guide along this long journey. The Cora Easter Week is the most important celebration of the Nayeri people, through it they share a vision of the world, while rewriting the old legends of their own cosmology. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
