2023 | Color | 110:00 Middle-aged Fátima accidentally becomes the influencer of the hour. Sofi and Cami, a couple of young media celebrities, try to take advantage of her sudden fame by pretending to be her friends. Flooded with love from her fans, Fátima also acquires some violent haters—but they don’t yet realize that they’re mocking the wrong profile. Country: México Direction: Santos; Carlos Script: Santos Campos; Carlos Production: Meza; Fernanda, Santos Campos; Carlos, Rivera; Miguel, Castillo P.; Carlos Photography: Trejo; David Sound: Luna; Orlando Music: Barreiro; Tomás Cast:Huarte; Mónica, García; Macarena , Carreiro; Diana, Dorantes; Memo, Nieto; Mau, Daniel; Leonardo, Peña; Daniela Art direction: Urrusti; Mariau Participation year at FICM: 2023
2023 | Color | 110:00 Middle-aged Fátima accidentally becomes the influencer of the hour. Sofi and Cami, a couple of young media celebrities, try to take advantage of her sudden fame by pretending to be her friends. Flooded with love from her fans, Fátima also acquires some violent haters—but they don’t yet realize that they’re mocking the wrong profile. Country: México Direction: Santos; Carlos Script: Santos Campos; Carlos Production: Meza; Fernanda, Santos Campos; Carlos, Rivera; Miguel, Castillo P.; Carlos Photography: Trejo; David Sound: Luna; Orlando Music: Barreiro; Tomás Cast:Huarte; Mónica, García; Macarena , Carreiro; Diana, Dorantes; Memo, Nieto; Mau, Daniel; Leonardo, Peña; Daniela Art direction: Urrusti; Mariau Participation year at FICM: 2023
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
Ismael Rodríguez and Hollywood 05 · 15 · 24 There is no one like mom. Mexico: atypical maternities in the 20th century 05 · 09 · 24 Farewell Laurent Cantet: two of his early films 05 · 02 · 24 El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
