2019 | B/N | 119:00 In eighteenth-century France, Marianne, a young painter, is commissioned to paint Héloïse’s wedding portrait in secret. Marianne must observe her model by day and paint her portrait at night. The two women grow closer as they share Héloïse’s last moments of freedom. Country: Francia Direction: Sciamma; Céline Script: Sciamma; Céline Production: Couvreur; Bénédicte Photography: Mathon; Claire Sound: Sobrino; Daniel, Sicart; Julien, Deloof; Valérie Music: One; Para, Simonini; Arthur Cast:Bajrami; Luàna, Golino; Valeria, Haenel; Adèle, Merlant; Noémie, Morel; Cécile Art direction: Grezaud; Thomas Participation year at FICM: 2019
2019 | B/N | 119:00 In eighteenth-century France, Marianne, a young painter, is commissioned to paint Héloïse’s wedding portrait in secret. Marianne must observe her model by day and paint her portrait at night. The two women grow closer as they share Héloïse’s last moments of freedom. Country: Francia Direction: Sciamma; Céline Script: Sciamma; Céline Production: Couvreur; Bénédicte Photography: Mathon; Claire Sound: Sobrino; Daniel, Sicart; Julien, Deloof; Valérie Music: One; Para, Simonini; Arthur Cast:Bajrami; Luàna, Golino; Valeria, Haenel; Adèle, Merlant; Noémie, Morel; Cécile Art direction: Grezaud; Thomas Participation year at FICM: 2019
Portrait of a Lady on Fire In eighteenth-century France, Marianne, a young painter, is commissioned to paint Héloïse’s wedding portrait in secret. Marianne must observe her model by day and paint her portrait at night. The two women grow closer as they share Héloïse’s last moments of freedom. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
