2019 | B/N | 119:00 In eighteenth-century France, Marianne, a young painter, is commissioned to paint Héloïse’s wedding portrait in secret. Marianne must observe her model by day and paint her portrait at night. The two women grow closer as they share Héloïse’s last moments of freedom. Country: Francia Direction: Sciamma; Céline Script: Sciamma; Céline Production: Couvreur; Bénédicte Photography: Mathon; Claire Sound: Sobrino; Daniel, Sicart; Julien, Deloof; Valérie Music: One; Para, Simonini; Arthur Cast:Bajrami; Luàna, Golino; Valeria, Haenel; Adèle, Merlant; Noémie, Morel; Cécile Art direction: Grezaud; Thomas Participation year at FICM: 2019
2019 | B/N | 119:00 In eighteenth-century France, Marianne, a young painter, is commissioned to paint Héloïse’s wedding portrait in secret. Marianne must observe her model by day and paint her portrait at night. The two women grow closer as they share Héloïse’s last moments of freedom. Country: Francia Direction: Sciamma; Céline Script: Sciamma; Céline Production: Couvreur; Bénédicte Photography: Mathon; Claire Sound: Sobrino; Daniel, Sicart; Julien, Deloof; Valérie Music: One; Para, Simonini; Arthur Cast:Bajrami; Luàna, Golino; Valeria, Haenel; Adèle, Merlant; Noémie, Morel; Cécile Art direction: Grezaud; Thomas Participation year at FICM: 2019
Portrait of a Lady on Fire In eighteenth-century France, Marianne, a young painter, is commissioned to paint Héloïse’s wedding portrait in secret. Marianne must observe her model by day and paint her portrait at night. The two women grow closer as they share Héloïse’s last moments of freedom. See More
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“It Would Have Been Lukewarm Not to Portray Male Nudity”: David Pablos on EN EL CAMINO at the 23rd FICM 10 · 14 · 25
“This Was an Opportunity to Revisit My Family”: Mayra Hermosillo Debuts VAINILLA at the 23rd FICM 10 · 14 · 25
As an Artist, I Think It's Enough: Charlie Kaufman Presents HOW TO SHOOT A GHOST at the 23th FICM 10 · 13 · 25
