2018 | B/N | 150:45 In 1990s Mexico City—a chaotic universe of extremes, where criminals go unpunished and policemen are as lawless as criminals—a heroine becomes the avenger of raped young women. Wearing different disguises, she seduces the rapists, narcotizes them and then brands them with tattoos. Her powerful enemies prepare an ambush to uncover her true identity. Her only salvation is the emancipation of another woman. Direction: Hernández; Julián Script: Huacuja del Toro; Malú Production: Fiesco; Roberto Photography: Cantú; Alejandro Sound: Martinez Cobos; Mario, Hernández Moreno; Miguel, Narváez del Valle; Armando Music: Villela; Arturo, Sánchez Borges; Ángel Cast:del Carmen; Mónica, Peña; Irving, White; Victoria, Ramos; César, Verdejo; Rocío, Zacarías; Giovanna, Lein; Diana, Romero; Cesar, Cantoral; Itati Art direction: Constantino; Francisco Participation year at FICM: 2018
2018 | B/N | 150:45 In 1990s Mexico City—a chaotic universe of extremes, where criminals go unpunished and policemen are as lawless as criminals—a heroine becomes the avenger of raped young women. Wearing different disguises, she seduces the rapists, narcotizes them and then brands them with tattoos. Her powerful enemies prepare an ambush to uncover her true identity. Her only salvation is the emancipation of another woman. Direction: Hernández; Julián Script: Huacuja del Toro; Malú Production: Fiesco; Roberto Photography: Cantú; Alejandro Sound: Martinez Cobos; Mario, Hernández Moreno; Miguel, Narváez del Valle; Armando Music: Villela; Arturo, Sánchez Borges; Ángel Cast:del Carmen; Mónica, Peña; Irving, White; Victoria, Ramos; César, Verdejo; Rocío, Zacarías; Giovanna, Lein; Diana, Romero; Cesar, Cantoral; Itati Art direction: Constantino; Francisco Participation year at FICM: 2018
La huella de unos labios Román, a B-movie actor, is isolated in his apartment as a pandemic keeps the world on edge. Aldo, a young indigenous man, is an essential worker authorized to come and go. The two men live across from each other in an apartment complex. Meeting online, they are able to talk and even see each other in video calls, but not in person. Eventually, they find themselves tempted to break out of lockdown. See More
Two Amongst Many A pandemic has separated Esteban and Alan. Esteban spends his days staring out at the nearby buildings from the rooftop where he lives, learning how to play the guitar, and staying connected to Alan through video calls—but there’s no end in sight to the isolation, and reality eventually catches up with them. See More
The Day Began Yesterday Orlando and Saúl meet by chance. Self-confident young Orlando is a college gymnast who refuses to let his HIV-positive status define him; insecure Saúl barely grasps what it means to have an active sex life. For both, their accidental encounter will result in a new way of seeing the world. See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
