2016 | Color | 40:12 Coming back to the place where her mother was born, the director shows through a contemplative gaze, close and loving, her vision of the everyday life of her family and the town of Buenavista, their duties and joys, their celebrations and traditions. All framed by the hazy beauty of the oaxacan mountains. Direction: Ortega García; Alicia Script: Ortega García; Alicia Production: Arechavala; Mauricio, Ortega Esquivel; Rafael, García; Camelia, Ortega García; Rafael Photography: Arechavala Olivo de Alba; Mauricio Sound: Muñoz Velasco; David Music: Téllez Girón; Rodolfo Participation year at FICM: 2016
2016 | Color | 40:12 Coming back to the place where her mother was born, the director shows through a contemplative gaze, close and loving, her vision of the everyday life of her family and the town of Buenavista, their duties and joys, their celebrations and traditions. All framed by the hazy beauty of the oaxacan mountains. Direction: Ortega García; Alicia Script: Ortega García; Alicia Production: Arechavala; Mauricio, Ortega Esquivel; Rafael, García; Camelia, Ortega García; Rafael Photography: Arechavala Olivo de Alba; Mauricio Sound: Muñoz Velasco; David Music: Téllez Girón; Rodolfo Participation year at FICM: 2016
Xochicalco, Altar to Time A visual journey through the archaeological site of Xochicalco, guided by a narrative in Náhuatl about Mesoamerican mythology dealing with the beginning of time. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
