2019 | Color | 14:44 Ana and Mariano run into each other after years without contact. As they share a short ride on public transport, they recall the time they spent together. They have both dreamed about this situation coming to pass, and it’s full of half-finished sentences, words suspended in mid-air, unconcluded gestures. Love also means letting go. Country: México Direction: Ayala Tabachnik; Nadia Script: Ayala Tabachnik; Nadia Production: Gómez; Brenda, Medina Mora; Katina, Ayala Tabachnik; Nadia Photography: Villanueva; Emiliano Sound: Rocha; Diana Music: Rhodes; Memo, Rosas Landa; Manuela, Nocturnos Mágicos Cast:Évoli; María, de Tavira; Pedro, Isaac; Mauricio Art direction: Martz; Connie, Gallardo; Chrisitian Participation year at FICM: 2019
2019 | Color | 14:44 Ana and Mariano run into each other after years without contact. As they share a short ride on public transport, they recall the time they spent together. They have both dreamed about this situation coming to pass, and it’s full of half-finished sentences, words suspended in mid-air, unconcluded gestures. Love also means letting go. Country: México Direction: Ayala Tabachnik; Nadia Script: Ayala Tabachnik; Nadia Production: Gómez; Brenda, Medina Mora; Katina, Ayala Tabachnik; Nadia Photography: Villanueva; Emiliano Sound: Rocha; Diana Music: Rhodes; Memo, Rosas Landa; Manuela, Nocturnos Mágicos Cast:Évoli; María, de Tavira; Pedro, Isaac; Mauricio Art direction: Martz; Connie, Gallardo; Chrisitian Participation year at FICM: 2019
Sunburned Two neighbors, Elena (a woman with an orderly life, the “perfect” boyfriend, and neatly ironed clothes) and Irene (a free spirit who hates pre-established relationships and being tied down), are forced to spend a day together. They come to realize that they’re not so different—and sometimes there’s no better conversational partner than a stranger. See More
Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26
