2020 | Color | 13:16 Two neighbors, Elena (a woman with an orderly life, the “perfect” boyfriend, and neatly ironed clothes) and Irene (a free spirit who hates pre-established relationships and being tied down), are forced to spend a day together. They come to realize that they’re not so different—and sometimes there’s no better conversational partner than a stranger. Country: México Direction: Ayala Tabachnik; Nadia Script: Ayala Tabachnik; Nadia Production: Santamaría; Aura, Ayala Tabachnik; Nadia Photography: Villanueva; Emiliano Sound: Restelli; Filippo, Arroyo; Santiago Music: Lepró; Mayra Cast:Guerrero; Sonia, Évoli; María, Gurrola; Edwarda, Delgadillo; Victor Art direction: Camacho; Rafael Participation year at FICM: 2020
2020 | Color | 13:16 Two neighbors, Elena (a woman with an orderly life, the “perfect” boyfriend, and neatly ironed clothes) and Irene (a free spirit who hates pre-established relationships and being tied down), are forced to spend a day together. They come to realize that they’re not so different—and sometimes there’s no better conversational partner than a stranger. Country: México Direction: Ayala Tabachnik; Nadia Script: Ayala Tabachnik; Nadia Production: Santamaría; Aura, Ayala Tabachnik; Nadia Photography: Villanueva; Emiliano Sound: Restelli; Filippo, Arroyo; Santiago Music: Lepró; Mayra Cast:Guerrero; Sonia, Évoli; María, Gurrola; Edwarda, Delgadillo; Victor Art direction: Camacho; Rafael Participation year at FICM: 2020
Private Property Ana and Mariano run into each other after years without contact. As they share a short ride on public transport, they recall the time they spent together. They have both dreamed about this situation coming to pass, and it’s full of half-finished sentences, words suspended in mid-air, unconcluded gestures. Love also means letting go. See More
Hernán Cortés: two atypical visions 04 · 10 · 25 MIL CAMINOS TIENE LA MUERTE: Arsenio Campos (1946-2025) 04 · 03 · 25 EL CAMINO DE LA VIDA: THE YOUNG AND THE DAMNED by Matilde Landeta 03 · 27 · 25 Juan Rulfo and the silver screen 03 · 20 · 25
