2007 | B/N | The jury decided to divide up the IMCINE Morelia LAB-Young Mexican Producer Award in the following way: Jessica Villegas, for presenting the project Venenum, receives 30 thousand pesos. Georgina Calvillo, for presenting the project Amor a muerte, receives 10 thousand pesos. Blanca Álvarez, for presenting the project Se busca donador, receives 10 thousand pesos. Similarly, the jury decided to divide up the Cinépolis Morelia LAB-Young Latin American Producer Award in the following way: Virginia Giacosa, from Argentina, receives 20 thousand pesos for presenting the project David y el gran río. Suzana Markus, from Brazil, receives 15 thousand pesos for presenting the project El hombre de la cabeza de cartón. Roddy Pérez, from the Dominican Republic, receives 15 thousand pesos for presenting the project Pití. Participation year at FICM: 2007
2007 | B/N | The jury decided to divide up the IMCINE Morelia LAB-Young Mexican Producer Award in the following way: Jessica Villegas, for presenting the project Venenum, receives 30 thousand pesos. Georgina Calvillo, for presenting the project Amor a muerte, receives 10 thousand pesos. Blanca Álvarez, for presenting the project Se busca donador, receives 10 thousand pesos. Similarly, the jury decided to divide up the Cinépolis Morelia LAB-Young Latin American Producer Award in the following way: Virginia Giacosa, from Argentina, receives 20 thousand pesos for presenting the project David y el gran río. Suzana Markus, from Brazil, receives 15 thousand pesos for presenting the project El hombre de la cabeza de cartón. Roddy Pérez, from the Dominican Republic, receives 15 thousand pesos for presenting the project Pití. Participation year at FICM: 2007
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
