2005 | Color | 13 min On her way home, small-town girl Raquel meets a lost soul. She gives water to the spirit and, in gratitude, the lost soul reveals to her the place where a treasure lies buried. Country: México Direction: Martínez Aguilar; Gerardo Script: Martínez Aguilar; Gerardo Production: Lazalda; Marcia Photography: González Silva; César Sound: Zamora; David Music: Beltrán; Diego Cast:López; Mariana, Romero; Humberto Art direction: Camacho; Karla, Beltrán; Herbert Participation year at FICM: 2006
2005 | Color | 13 min On her way home, small-town girl Raquel meets a lost soul. She gives water to the spirit and, in gratitude, the lost soul reveals to her the place where a treasure lies buried. Country: México Direction: Martínez Aguilar; Gerardo Script: Martínez Aguilar; Gerardo Production: Lazalda; Marcia Photography: González Silva; César Sound: Zamora; David Music: Beltrán; Diego Cast:López; Mariana, Romero; Humberto Art direction: Camacho; Karla, Beltrán; Herbert Participation year at FICM: 2006
Terreno baldío Itzel is a teenager living with her parents, who are more concerned about arguing among themselves than the problems and feelings she may have. She has an affair with an older man, Elías. When she believes her parents have discovered her affair, she suggests to Elías that they escape together, but while traveling, Itzel realizes that perhaps this was not the best decision... See More
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26 “One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26 Spanish Director Pedro Aguilera Presented LADIES' HUNTING PARTY at the 24th FICM 10 · 22 · 26 Tribute to Florence Delay at the 24th FICM: Emilio Maillé Presents LOS AÑOS ARRUZA 10 · 22 · 26
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26
“One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26
