1947 | B/N | 97:00 Jeff Bailey, a former private detective who runs a gas station in a quiet California town, is very much in love with his young girlfriend. Unexpectedly, he receives a visit from an old acquaintance who announces that the boss, Whit Sterling, wants to see him. Bailey is then forced to tell his girlfriend about his shady former life as Jeff Markham, a detective hired by Sterling to find his runaway lover. Country: Estados Unidos Direction: Tourneur; Jacques Script: Mainwaring; Daniel Production: Warren Duff Photography: Musuraca; Nicholas Art direction: D’Agostino; Albert S., Okey; Jack Participation year at FICM: 2022
1947 | B/N | 97:00 Jeff Bailey, a former private detective who runs a gas station in a quiet California town, is very much in love with his young girlfriend. Unexpectedly, he receives a visit from an old acquaintance who announces that the boss, Whit Sterling, wants to see him. Bailey is then forced to tell his girlfriend about his shady former life as Jeff Markham, a detective hired by Sterling to find his runaway lover. Country: Estados Unidos Direction: Tourneur; Jacques Script: Mainwaring; Daniel Production: Warren Duff Photography: Musuraca; Nicholas Art direction: D’Agostino; Albert S., Okey; Jack Participation year at FICM: 2022
Out of the Past A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and dishonest women. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
