2022 | Color | 71:00 Villa Olimpica, years 70s, a small Latin America in the middle of Mexico City. The return of the parents is the exile of the children. Direction: Kohan Esquenazi; Sebastián Script: Kohan Esquenazi; Sebastián Production: Sallato; Juan Pablo, Sabatini; Juan Ignacio, Cordera; Inti, Cordova; Mercedes, Forster; Valeria Photography: Rodríguez; Arnaldo Sound: Acosta; Odin Music: Bonasso; Federico Cast:Gershanik; Pablo, Saez; Alejandra, Saez; Rodrigo, Gaspar; Soledd, Gaspar; Fernando, Krotsch; Lucas, Calcagno; Florencia, Sepulveda; Paula Art direction: Valentina Siniego, Joao Lima, Camila Guerra Participation year at FICM: 2022
2022 | Color | 71:00 Villa Olimpica, years 70s, a small Latin America in the middle of Mexico City. The return of the parents is the exile of the children. Direction: Kohan Esquenazi; Sebastián Script: Kohan Esquenazi; Sebastián Production: Sallato; Juan Pablo, Sabatini; Juan Ignacio, Cordera; Inti, Cordova; Mercedes, Forster; Valeria Photography: Rodríguez; Arnaldo Sound: Acosta; Odin Music: Bonasso; Federico Cast:Gershanik; Pablo, Saez; Alejandra, Saez; Rodrigo, Gaspar; Soledd, Gaspar; Fernando, Krotsch; Lucas, Calcagno; Florencia, Sepulveda; Paula Art direction: Valentina Siniego, Joao Lima, Camila Guerra Participation year at FICM: 2022
Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More
5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More
The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More
Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
