2012 | Color | 27 min 47 seg This film is a vertiginous voyage considering the impermanence and evolution of the relative value of things through certain lapses, spaces, ideas, conditions, beings and objects ? our attachment to them, to life, their way to the end, to their rebirth, to their transformation. Country: México Direction: Huerta Cano; Dalia Script: Huerta Cano; Dalia, Villalobos; José Production: Huerta Cano; Dalia Photography: Huerta Cano; Dalia Sound: de la Monja Casar; Esteban, González; Homero Music: Schumann; Robert, of Sunder; Elegies, González; Pablo, González; Homero, de la Monja; Esteban, Naan Cast:Akwei; Adotei, Calderón; Alicia, Becerra; Ana, Angélica, Hars-tschachotin; Boris, Cata, Jaksik; Dalibor, Harsch; Ernest, Villalobos; José, Ríos; Levi, Bubcke; Marko, Ruíz de la Fuente; Mirna, Valles; Tomás, Tris Participation year at FICM: 2012
2012 | Color | 27 min 47 seg This film is a vertiginous voyage considering the impermanence and evolution of the relative value of things through certain lapses, spaces, ideas, conditions, beings and objects ? our attachment to them, to life, their way to the end, to their rebirth, to their transformation. Country: México Direction: Huerta Cano; Dalia Script: Huerta Cano; Dalia, Villalobos; José Production: Huerta Cano; Dalia Photography: Huerta Cano; Dalia Sound: de la Monja Casar; Esteban, González; Homero Music: Schumann; Robert, of Sunder; Elegies, González; Pablo, González; Homero, de la Monja; Esteban, Naan Cast:Akwei; Adotei, Calderón; Alicia, Becerra; Ana, Angélica, Hars-tschachotin; Boris, Cata, Jaksik; Dalibor, Harsch; Ernest, Villalobos; José, Ríos; Levi, Bubcke; Marko, Ruíz de la Fuente; Mirna, Valles; Tomás, Tris Participation year at FICM: 2012
Almost Invisible In a Guatemalan mountain village, a young girl Elena, is sent to fetch water and keys for her mother, a local activist. On her way through the village, the dogs and other things in her inner self, start barking. See More
Collector’s Item An exploration of everyday ambivalence around property, consumption, and whiteness. The text, adapted from a longer work, was written collaboratively, and the video was made in conversation with the text. See More
Symptoms For two years, a surgeon obsessively sends messages to her husband’s ex-lover after she finds out about their affair. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
