2021 | Color | 84:00 An intimate portrait of three generations of a Mexican-American family in California, Oaxacalifornia: The Return revisits the Mejía family 25 years after they were first portrayed negotiating their place in a new environment, digging deep into the complexities of multi-generational immigrant identities and the nuances of both belonging and otherness to become a moving epic about the fabric of the United States. Direction: Ziff; Trisha Script: Márquez; Jorge, Ziff; Trisha Production: Houchens; Andrew, Fortes; Elena, del Rio; Isabel, Alatorre; Daniela, Ziff; Trisha Photography: Perez Bouchard; Felipe, McGarvey; Seamus, García Joya; Mario Sound: Lach; Pablo Music: Sánchez Maher; Andrés, Lieberman; Jacobo Participation year at FICM: 2021
2021 | Color | 84:00 An intimate portrait of three generations of a Mexican-American family in California, Oaxacalifornia: The Return revisits the Mejía family 25 years after they were first portrayed negotiating their place in a new environment, digging deep into the complexities of multi-generational immigrant identities and the nuances of both belonging and otherness to become a moving epic about the fabric of the United States. Direction: Ziff; Trisha Script: Márquez; Jorge, Ziff; Trisha Production: Houchens; Andrew, Fortes; Elena, del Rio; Isabel, Alatorre; Daniela, Ziff; Trisha Photography: Perez Bouchard; Felipe, McGarvey; Seamus, García Joya; Mario Sound: Lach; Pablo Music: Sánchez Maher; Andrés, Lieberman; Jacobo Participation year at FICM: 2021
Witkin & Witkin Witkin & Witkin explores the world of identical twins: Joel-Peter, famous photographer, and Jerome, painter and teacher. An intensely human film that addresses the philosophy behind their practices, art, and personal relationships. We meet the women in their lives, granting us access to their artistic world. This is a film about perception and aging, about two artists working in different media and who shared more of their past than their present. See More
The Man Who Saw Too Much A film about fragility; about a man obsessed with photographing the accident who discovered that the fate of others was his way of connecting to life. When does the image of the accident become the object of desire? Following the footsteps of Metinides and the work of contemporary tabloid photographers, we discover Mexico City through a narrative of crime scenes and accidents; rubbernecking though Metinides' Gaze. See More
The Mexican Suitcase In 2007, 4,500 negatives of images taken from the Spanish Civil War by Robert Capa, David Seymore and Gerda Taro were recovered in Mexico City. In the same year, the Spanish Congress passed the Historical Memory Law. The Mexican Suitcase traces the journey of the negatives and the complexity of understanding the past in Spain today. See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
