2017 | Color | 16:01 Ophelia, a 40-something working-class housewife, goes to a gay pick-up bar called El Oasis—in search of her husband. When her suspicions are confirmed, she faints. Jackeline, a transgender prostitute, unexpectedly comes to her aid. Direction: Zuno; Alejandro Script: Zuno; Alejandro Production: Reyes Chávez; Iliana, Martínez Arévalo; Ernesto Photography: Amann; Ximena Sound: Juárez Espino; Omar, Tamez; Pablo Music: Sánchez Maher; Andrés Cast:Pablo; Norma, Love; Morganna Art direction: Torres Torres; Jesús Participation year at FICM: 2017
2017 | Color | 16:01 Ophelia, a 40-something working-class housewife, goes to a gay pick-up bar called El Oasis—in search of her husband. When her suspicions are confirmed, she faints. Jackeline, a transgender prostitute, unexpectedly comes to her aid. Direction: Zuno; Alejandro Script: Zuno; Alejandro Production: Reyes Chávez; Iliana, Martínez Arévalo; Ernesto Photography: Amann; Ximena Sound: Juárez Espino; Omar, Tamez; Pablo Music: Sánchez Maher; Andrés Cast:Pablo; Norma, Love; Morganna Art direction: Torres Torres; Jesús Participation year at FICM: 2017
Hotel Room One night, Pablo finally decides to pick up Diana, a travesty prostitute he has been watching for a few days. Pablo takes Diana to a hotel room with very different intentions than her other clients and without knowing that his life is about to change. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
