2017 | Color | 16:01 Ophelia, a 40-something working-class housewife, goes to a gay pick-up bar called El Oasis—in search of her husband. When her suspicions are confirmed, she faints. Jackeline, a transgender prostitute, unexpectedly comes to her aid. Direction: Zuno; Alejandro Script: Zuno; Alejandro Production: Reyes Chávez; Iliana, Martínez Arévalo; Ernesto Photography: Amann; Ximena Sound: Juárez Espino; Omar, Tamez; Pablo Music: Sánchez Maher; Andrés Cast:Pablo; Norma, Love; Morganna Art direction: Torres Torres; Jesús Participation year at FICM: 2017
2017 | Color | 16:01 Ophelia, a 40-something working-class housewife, goes to a gay pick-up bar called El Oasis—in search of her husband. When her suspicions are confirmed, she faints. Jackeline, a transgender prostitute, unexpectedly comes to her aid. Direction: Zuno; Alejandro Script: Zuno; Alejandro Production: Reyes Chávez; Iliana, Martínez Arévalo; Ernesto Photography: Amann; Ximena Sound: Juárez Espino; Omar, Tamez; Pablo Music: Sánchez Maher; Andrés Cast:Pablo; Norma, Love; Morganna Art direction: Torres Torres; Jesús Participation year at FICM: 2017
Hotel Room One night, Pablo finally decides to pick up Diana, a travesty prostitute he has been watching for a few days. Pablo takes Diana to a hotel room with very different intentions than her other clients and without knowing that his life is about to change. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
