2017 | Color | 73:57 A portrait of the inner conflicts of two women who wait in vain for their missing loved ones. Two stories separated by decades: Liliana’s, who lost her husband to organized crime in 2010; and Alicia’s, whose mother was disappeared by the Mexican Government in 1978, during the Dirty War. This documentary brings them together to illustrate the trials of memory itself, as well as the women’s everyday struggle not to disappear from life. Direction: Rea Gómez; Daniela Script: Rea Gómez; Daniela Production: Gutiérrez Vega; Mario Photography: Villegas; Gabriel Sound: Llaguno; Guillermo Music: Lara Bon; Leoncio Participation year at FICM: 2017
2017 | Color | 73:57 A portrait of the inner conflicts of two women who wait in vain for their missing loved ones. Two stories separated by decades: Liliana’s, who lost her husband to organized crime in 2010; and Alicia’s, whose mother was disappeared by the Mexican Government in 1978, during the Dirty War. This documentary brings them together to illustrate the trials of memory itself, as well as the women’s everyday struggle not to disappear from life. Direction: Rea Gómez; Daniela Script: Rea Gómez; Daniela Production: Gutiérrez Vega; Mario Photography: Villegas; Gabriel Sound: Llaguno; Guillermo Music: Lara Bon; Leoncio Participation year at FICM: 2017
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24