2016 | Color | 20:00 The story of Francisco Núñez, a prayer-leader and flutist for the traditional chareos dance form in the Nanguè community of San Pedro Amuzgos, Oaxaca. Francisco was appointed for this role by the Nkwí nayà tónko, which in the Amuzgo language means “a person who awakes or appears on Earth with a gift.” Now an old man, Francisco fears that no one will follow in his footsteps as flutist after his death. Direction: Vázquez Bernabé; Ismael Script: López del Rosario; Graciela, Vásquez Bernabé; Ismael Production: Aguilar Herrera; Héctor Photography: Aguilar Herrera; Héctor, Vásquez Bernabé; Ismael, Casarez Monroy; Araceli Sound: Antonio López; Emmanuel Cast:Núñez García; Francisco, López Vásquez; Francisco Participation year at FICM: 2017
2016 | Color | 20:00 The story of Francisco Núñez, a prayer-leader and flutist for the traditional chareos dance form in the Nanguè community of San Pedro Amuzgos, Oaxaca. Francisco was appointed for this role by the Nkwí nayà tónko, which in the Amuzgo language means “a person who awakes or appears on Earth with a gift.” Now an old man, Francisco fears that no one will follow in his footsteps as flutist after his death. Direction: Vázquez Bernabé; Ismael Script: López del Rosario; Graciela, Vásquez Bernabé; Ismael Production: Aguilar Herrera; Héctor Photography: Aguilar Herrera; Héctor, Vásquez Bernabé; Ismael, Casarez Monroy; Araceli Sound: Antonio López; Emmanuel Cast:Núñez García; Francisco, López Vásquez; Francisco Participation year at FICM: 2017
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
