2016 | Color | 12:40 Mariela is a maid at a Motel where she constantly receives psychological abuse from its ex-boyfriend Gustavo, who also Works there. Direction: Rugama; Bernardo Script: Rugama; Bernardo Production: Martínez; Fidel Photography: Rodríguez; Cristian Sound: Pineda; Kevin Cast:Homar Garcia; Jaime, Gaona; Cuauhtémoc, del Carmen; Mónica Art direction: González; Noel Participation year at FICM: 2016
2016 | Color | 12:40 Mariela is a maid at a Motel where she constantly receives psychological abuse from its ex-boyfriend Gustavo, who also Works there. Direction: Rugama; Bernardo Script: Rugama; Bernardo Production: Martínez; Fidel Photography: Rodríguez; Cristian Sound: Pineda; Kevin Cast:Homar Garcia; Jaime, Gaona; Cuauhtémoc, del Carmen; Mónica Art direction: González; Noel Participation year at FICM: 2016
You are my Carousel Matías has plans with his friends, but today he will have to take care of his grandfather who, despite his mental deterioration, has a lot of life. Despite the notable differences between them, this day they will develop a friendship that will mark them forever. See More
Duele The relationship between a psychologist and her patient becomes painful when they cross the boundaries of intimacy. See More
Magic Show A father of a broken family tries to reconnect with his 6 year old son through magic. See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
