2008 | Color | 1h 10 min Based on the novel Vida de Mina by Manuel Ortuño, this documentary is about Javier Mina, native of Navarra, Spain, who was one of the key figures of the Spanish War of Independence and a fighter for Mexico’s Independence. A film that shows us the deep values that motivate the struggle for freedom. Country: México, España Direction: Solé; Albert Script: Andrés; Isabel, Solé; Albert, Ortuño; Manuel Production: Viciano; Enrique Photography: Dussuel; Diego Sound: Casademunt; Marcus Music: Giró; David Cast:Picó; Joan, Peissel; Olivier, Lahoz; Ferrán, Trepat; Andrea, Vicente; Carlos, Codina; Daniel, Arquimbau; Enric, Gordon; Harris, Villen; Armand, Arteaga; Toni, Larios; Lazua Participation year at FICM: 2009
2008 | Color | 1h 10 min Based on the novel Vida de Mina by Manuel Ortuño, this documentary is about Javier Mina, native of Navarra, Spain, who was one of the key figures of the Spanish War of Independence and a fighter for Mexico’s Independence. A film that shows us the deep values that motivate the struggle for freedom. Country: México, España Direction: Solé; Albert Script: Andrés; Isabel, Solé; Albert, Ortuño; Manuel Production: Viciano; Enrique Photography: Dussuel; Diego Sound: Casademunt; Marcus Music: Giró; David Cast:Picó; Joan, Peissel; Olivier, Lahoz; Ferrán, Trepat; Andrea, Vicente; Carlos, Codina; Daniel, Arquimbau; Enric, Gordon; Harris, Villen; Armand, Arteaga; Toni, Larios; Lazua Participation year at FICM: 2009
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
Farewell Laurent Cantet: two of his early films 05 · 02 · 24 El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
