2021 | B/N | 118:00 Four interwoven stories narrate different approaches to the so-called migration crisis in Europe. Marie is a young volunteer who travels to the Mediterranean to help refugees. Marcel founds an organization devoted to accompanying women for their protection from allegedly dangerous migrants. Petra adopts a refugee child. And Gerald, the head of a refugee shelter, is challenged by a resident. Country: Austria Direction: Clay Díaz; David Script: Clay Díaz; David, Halilbašic; Senad Production: Svoboda; Antonin, Wagner; Bruno, Albert; Barbara Photography: Krubasik; Julian Sound: Gottsberger; Rudolf Music: Reichelt; David Cast:Miko; Lukas, Altenberger; Verena, Romaner; Barbara, Meskar; Mehdi, Srtschin; Alexander Participation year at FICM: 2022
2021 | B/N | 118:00 Four interwoven stories narrate different approaches to the so-called migration crisis in Europe. Marie is a young volunteer who travels to the Mediterranean to help refugees. Marcel founds an organization devoted to accompanying women for their protection from allegedly dangerous migrants. Petra adopts a refugee child. And Gerald, the head of a refugee shelter, is challenged by a resident. Country: Austria Direction: Clay Díaz; David Script: Clay Díaz; David, Halilbašic; Senad Production: Svoboda; Antonin, Wagner; Bruno, Albert; Barbara Photography: Krubasik; Julian Sound: Gottsberger; Rudolf Music: Reichelt; David Cast:Miko; Lukas, Altenberger; Verena, Romaner; Barbara, Meskar; Mehdi, Srtschin; Alexander Participation year at FICM: 2022
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
Ismael Rodríguez and Hollywood 05 · 15 · 24 There is no one like mom. Mexico: atypical maternities in the 20th century 05 · 09 · 24 Farewell Laurent Cantet: two of his early films 05 · 02 · 24 El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
