2004 | Color | Pedro, who sets great store by his fabulous memory, fails to recognize a couple of teenagers travelling with him in a truck on the way to the market. During the journey, Pedro chats and jokes without realizing that the children he once mistreated and abandoned have come to take revenge Country: México, Venezuela Direction: Vigas; Lorenzo Script: Vigas; Lorenzo Production: Arriaga; Guillermo, Vigas; Lorenzo Photography: Ortega; Héctor Sound: Díaz; Sergio, Hernández; Martín Cast:Cubero; Gonzalo, Muñoz; Guillermo, Mena; Greisy Art direction: Colón; Erasmo Participation year at FICM: 2004
2004 | Color | Pedro, who sets great store by his fabulous memory, fails to recognize a couple of teenagers travelling with him in a truck on the way to the market. During the journey, Pedro chats and jokes without realizing that the children he once mistreated and abandoned have come to take revenge Country: México, Venezuela Direction: Vigas; Lorenzo Script: Vigas; Lorenzo Production: Arriaga; Guillermo, Vigas; Lorenzo Photography: Ortega; Héctor Sound: Díaz; Sergio, Hernández; Martín Cast:Cubero; Gonzalo, Muñoz; Guillermo, Mena; Greisy Art direction: Colón; Erasmo Participation year at FICM: 2004
La caja Hatzín, a teenager from Mexico City, sets out for northern Mexico to collect his father’s remains, which have been found in a mass grave. A chance encounter with a man who bears a physical resemblance to his father fills him with doubt and hope about the man’s true whereabouts. See More
From Afar Middle-aged Armando lures young men to his home with money. He only wants to watch from a strict distance. Armando’s first encounter with street thug Elder is violent, but this doesn’t discourage the lonely man’s fascination with the tough handsome teenager. Financial interest keeps Elder visiting him regularly and an unexpected intimacy emerges. But Armando’s haunted past looms large, and Elder commits the ultimate act of affection on Armando’s behalf. See More
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25 “The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25 Activities for Impulso Morelia 11 Begin at the 23th FICM 10 · 13 · 25 64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25
“The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25
64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
