2013 | Color | 100 min This documentary tells the story of César, the oldest Mexican prisoner on death row in the United States. César has waited for his execution date for more than 30 years, always insisting that he is innocent. Los años de Fierro is a reflection on justice, imprisonment, punishment, guilt and brotherly love, through the eyes of César and his bother, Sergio. Country: México Direction: Esteinou; Santiago Script: Esteinou; Santiago Production: Esteinou; Santiago, Durán; Alejandro Photography: Pedraza; Axel, Secco; María Sound: Vargas; Milagros, Muñoz; Axel Music: Ayhllón; Carlo Participation year at FICM: 2013
2013 | Color | 100 min This documentary tells the story of César, the oldest Mexican prisoner on death row in the United States. César has waited for his execution date for more than 30 years, always insisting that he is innocent. Los años de Fierro is a reflection on justice, imprisonment, punishment, guilt and brotherly love, through the eyes of César and his bother, Sergio. Country: México Direction: Esteinou; Santiago Script: Esteinou; Santiago Production: Esteinou; Santiago, Durán; Alejandro Photography: Pedraza; Axel, Secco; María Sound: Vargas; Milagros, Muñoz; Axel Music: Ayhllón; Carlo Participation year at FICM: 2013
The Freedom of Fierro César Fierro has just become a free man and he needs to rebuild his life after being wrongly sentenced to death in Texas. He spent most of his life in solitary confinement deprived of any physical contact with other human beings. Despite the challenges, César remains determined to find true freedom. See More
Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
