B/N | 56:46 Over sixty years ago, and after an exhaustive review of Mexico’s ethnic dances (which she personally adapted in sometimes controversial ways), Amalia Hernández founded the Ballet Folkórico de México [Folkloric Ballet of Mexico]. Through interviews with relatives, friends, colleagues, dancers, researchers, writers, and specialists, this documentary brings us into contact with the life and work of this remarkable Mexican dancer and choreographer, named first-prize winner at the Festival of Nations by the French government (1961) and winner of the Premio Nacional de Artes [National Arts Prize, 1992], among many other awards. Direction: Kuri Aiza; Jaime Script: Kuri Aiza; Jaime Music: González de León Heiblum; Emiliano Participation year at FICM: 2017
B/N | 56:46 Over sixty years ago, and after an exhaustive review of Mexico’s ethnic dances (which she personally adapted in sometimes controversial ways), Amalia Hernández founded the Ballet Folkórico de México [Folkloric Ballet of Mexico]. Through interviews with relatives, friends, colleagues, dancers, researchers, writers, and specialists, this documentary brings us into contact with the life and work of this remarkable Mexican dancer and choreographer, named first-prize winner at the Festival of Nations by the French government (1961) and winner of the Premio Nacional de Artes [National Arts Prize, 1992], among many other awards. Direction: Kuri Aiza; Jaime Script: Kuri Aiza; Jaime Music: González de León Heiblum; Emiliano Participation year at FICM: 2017
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
